- What appeal to yourself you prefer - Alexander or Sasha?
- Oh, yes, I somehow easier with Sasha, and I myself often subscribe. The fact is that from the very childhood the name Alexander sounded somehow pompous, epically. I always confused the full name. Therefore, Sasha is somehow more pleasant. And immediately name has to simplicity. You can even on you, love, but I do not know how to somehow, immediately. Therefore, there are a long time. (Laughs.) I have an eternal problem.
- Let's not be confused and continue on you?
- Okay. (Smiles.)
- You learned from your parents, why were you called the name of the epic goddess?
"This is all my dad, Mom wanted to call Masha." And Dad decided that the name is more serious, and so it turned out Alexander. And then so coincided that I was Alexandra's great-grandmother, and I was born on the day of the name. But they, as Soviet parents, did not know all this. This is later, more than years, everything miraculously coincided.
- You have an unusual and wonderful last name for Moscow. How to put an emphasis - baby or baby?
- The emphasis is placed on the last syllable, this is the Belarusian surname. I have Pope Belorus. He was born in Pinsk. This surname is often found there - 50% of people are recorded in the metric as a child.
- And how do you know friends and girlfriends in childhood, was the nickname?
- But this is not a nickname. I just know that everything for his eyes call me a child. And now the same happens. (Laughs.)
- And what is your attitude towards this?
- So simple convenient: Frost, baby, Snigir. (Laughs.) You can and nicknames do not invent. It seems to be offended by anything, but on the other hand, it is convenient to memorize. Rather, nice. Always on the border, everyone is very worried about fines, they will find something illegal, although you are a good citizen who can be illegal. (Laughs.) So here I always have one reaction from customs officers - a smile! And always the border guard says: "Welcome!" Always noted what an interesting surname, I am interested in more than it, and not the goal of my trip and what I forget there for the hill. And it is cool, it is distracting maneuver. (Laughs.)
- And you never thought about your red hair ...
- I'm not redhead, I'm light, I have a dad redhead. I am golden with freckles. (Smiles.)
- Just to golden people, as you say, everyone belongs to childish, maybe therefore?
- No, I'm not particularly children in my nature. Just cool that such a surname. I like. We thought for a long time, what the surname to give our children. I told my spouse (actor Alexey Vertkov, - approx. Aut.) That heats are boring, usually. And if they have a child, they will always be fun. There will be such an additional pleasant load as the surname that is accurately remembered. And never anyone will have questions like "and who is it." And then she always gives you a positive attitude of those surrounding, so charming.
In the "good man" the child plays with Julia Snigar and Nikita Efremov
Photo: Frame from the series
- And what did Alexey replied?
- He said that we will do a double. And then, at sixteen years, they will decide.
"You mentioned your colleagues: a spouse, Julia Snugir, with whom they starred in the TV series" Good man. " Today, in our difficult time, many actors say they are ready to take off in everything, just as they suggested. Do you agree with this statement?
- Of course, at our profession, the current time dictates a different approach and attitude, for example, than our predecessors, great actors. It's like Konstantina Bogomolov - the play "Gargantua and Pantagruel" ends with the phrase: "All the giants died." So only our contemporaries remained. And time dictates completely different laws of acting existence. After all, this is a profession. She and show business, where for their professional skills you get material benefits. I love to work very much. And if you choose between working or do not work, I choose to work. Even if it is somewhere not quite interesting. But still I would like to note that with the advent of video services and Internet video payments, the product quality has noticeably improved. And what is filmed for independent television platforms, shot ten steps forward. On television, there are concepts of format, censorship, alleged at the viewer, how he sees the management of the channel, his age - all this is inhibits development, the artistic filling itself slows down, the quality of the product itself, which is beautifully written, but passing all 33 instances, to the site and the artist comes Dried, as a rule, adapted television material. And he really often seems terribly fresh and uninteresting. And I, as a TV viewer, and the result itself seems fairly enough. But this does not apply to the material for video payments, for example, such as "content", "safe links", "good person." Therefore, everything that comes out without my participation and what really happened well, it hurts me terribly and angry. (Laughs.) It becomes a shame that I am not there, not in that clip. I would really like to go ahead. I personally count on this potential, on this fresh air to which there is a chance to break through to the world premieres. For example, "Conferences" in the UK has already progress. And this suggests that we are considered as professionals. Now the TV is not an estimated woman after 40, for some reason, a housewife, which should look at the TV series and understand everything. Therefore, you do not need to be wiser, because it should be removed, and hear the ear and always understand what is happening. And I personally want to watch a series of good level. After all, the script is written for people around the world. Topics are affected by general, ordinary, close to people with different skin color and social status. In general, for the whole world.
- Do you want to know you all over the world? Are you a vain person?
- Well, this is not vanity. The goal is not to know you all over the world. The goal is to do something interesting. And in addition to all this, grow to such a level to be recognized and successful in the eyes of the world of the world.
- Doesn't it vanity?
- Not. This, in my opinion, is very healthy creative ambitions of a normal artist who does something, creates. After all, you can show matineens and at home, why then work in the theater? And then, it is patriot, when you want to withdraw your country at a competitive step, where you can create products capable of competing with European and American TV series. The same with cinema. Theater is in the best condition. It is respected all over the world. And it is shown tour of the Russian Drama Theater. Our theaters are more involved in international festivals, because the authority is more from our theater than in filmmaking. Of course, it is nice - to become famous, but I do not think that all the large artists had only this goal, so that he was recognized on the streets. In my opinion, they wanted to just do something well. So that they have like-minded people. This proves the latest successful projects of video payments, where the group is gathering primarily like-minded people, people who are interested in each other, and not to simply, as they say, cut the dough. They are creating for the idea, then something turns out. And the rest will be applied. And the main thing is to compete on stage, in the frame, in the number of subscribers in social networks, and not with the help of dirty linen and scandals. Although, as they say, everything is useful that the mouth got down, but it is not very interesting for me. (Laughs.)
"Why did you agree to the role in the" good person "project, what did you attract?
"I really trust Konstantin the Bogomolov, who is a director, I know: if he offers to me this now, disagree - stupid. He does not have a flow, casting, where everything goes in a row, and then with many evenings something is solved there. Yes, and he knows me perfectly. And since he called me, probably, he saw something. He is also about Nikita Efremova, who was shot there, said: "The point is not how a person can play it, or can not, with his acting range, I wonder how his energy, charm will be entered into this topic. And how it all develops, as will reveal. " He knows about me better about me. It happens that I don't even believe, I tell him that it's not about me at all. By the way, it can be terribly angry. And then you sit and think: "Wow! And this is also in me! " Terribly interesting. Therefore, I trust him, so agreed. And then it was terribly interesting to explore it all.
- You spoke about great actors who have already gone. Who did you support relationships, were home to?
- In "Pike", Nina Mikhailovna Doroshin was taught on the course. I talked with Vasily Semenovich Lanov. Alla Alexandrovna Kazan, the wife of the director Boris Barneta, was my personal teacher.
- What did you draw for yourself from communicating with the cylindairs?
- Honestly, we met when already, for example, Alla Alexandrovna was in a decent serious age. And the beauty in the fact that the transfer of knowledge itself does not happen to the notebook when you can schedule something, but in the process of communication. It took me three times a week to two hours. When I was with a person alone, and he just told me some stories, knew amazing things. And at the rehearsals Alla Alexandrovna usually recalled some story and began to tell her. And it all saddled in you. It reminds the transfer of knowledge from Mom to her daughter. This happens as verbal and non-verbal. The path itself through her example, through her life, through her attitude to this profession, to people who are around. Rather, you learn from the matre of His attitude to the profession, that it means for him. It's all terribly interesting. You never read about it in life. And these minutes - they are priceless. I met in Mchat in the play "Musketeers" at Konstantin Bogomolov with Irina Petrovna Miroshnichenko. We talk a lot with her. She is located to me. And when we meet in the dressing room, she constantly tells something. Or here is Stanislav Andreevich Lyutin. Always watched his work, knew this beautiful artist. The most interesting thing is that I played "five evenings" in the graduation play in Pike. Well, if I could imagine that I would sit next to him and talk about how they filmed "five evenings". After all, it was his first job, and Gurchenko was already a star, with which he encountered? Where, when and for what money you can get it? Where can I read? NIGHT! And it is invaluable, and this is what is transmitted, and this is what is worn in your heart and makes you, creating you as an artist as a person as a person.
"I would really like to go ahead. I personally count on this potential, on this fresh air to which there is a chance to break through and on world premieres "
Gennady Avramenko
- You and your spouse Alexei are two famous actors. Admit two actors in one space - is it a lot or a little?
- In our case, it is fine. It seems to me that just when one in the family actor, and the other - no, there may be some imbalance here. After all, no one can understand the artist so as another artist. For example, there are some things by default. And not necessarily comment on them, pay attention or offended, angry. For example, when you understand that the premiere will soon, but on the eve of the artist or artist, it can very much sausage. Especially if something does not work. As a rule, the closer the premiere, the more it does not work. I do not know whether an ordinary person who has another profession, is healthier, not so much-related psyche, to understand another person-actor.
- Are you sure of what is said?
- Well, the main thing is that both have been developing. It is very important. To both were implemented. Probably, in family acting couples, it is not entirely harmonious when one develops as an artist, and the other as it may be in the package. And here just arises unhealthy competition, some resentment. It turns out that one in the service in the other. One thing, different anything. And he who is successful, he needs to help the one who is next to him. This is all difficult. But great when you both implement. We with Alexey too different understanding of the profession. We have absolutely different theaters. And the theaters that we like are also completely different. Therefore, we somehow do not participate in each other's work parsing. Each specifically does it. As I said, the theaters are different, so we do not see. There is a time to miss each other. And by the way, on the film crews, we had no such thing so that both were trying on the main roles and we were partners. It turns out that we start to miss each other. Somehow our paths are in parallel.
- But you were pleasantly surprised that you were both invited to act in one project "good man"?
"Of course, I very much wanted to take care of Alexey with Konstantin Yuryevich." But even more I wanted it to work in the theater with him. It seems to me that they could give something to each other. But the fact that they met on the site was already happiness for me. True, our lines in the film never crossed.
- You said it's great when a husband and wife understand each other, and how are things with children?
- Here, for example, the eldest came from a walk, we have not seen almost all the morning. Wants to have breakfast. He is three years old. How to explain to him that I give an interview? (Laughs.) Now we do with him. If up to three years it was possible, now the forbidden topics begin to occur slowly. It is terribly outraged.
- Why, after three years? After all, there are different opinions on this, someone after five begins to prohibit your child, someone after seven.
- I have no school on this. I just saw that my son had changed dramatically after three. Suddenly he became not at all a baby, but a child. With a conscious look. With an excellent understanding of what is happening around. There was some kind of trick. And besides, when Baby Vera Alekseevna was born, Vanya on her background became a very young three-year-old man. In any case, it is obvious that he is already time to speak confidently "no" about some things and actions. It will help him in the future. It is better to be a person adequate than the spoiled Mamaenician Prince. Although I adore him. For me, he is a prince. But I restrict myself in every way, knowing that it would help him. (Laughs.)
- Do you have a tight working schedule with your spouse, who helps to care for children?
- We all help. And parents, and nanny is beautiful Julia, and the husband. In turn. Of course, faith is so small that I am generally zealously to give it to someone. I do it. At best, my husband. And so, months after two we will share.
- You somehow asked a question about the female friendship, you tactfully left the question. I would like to ask you about friendship between actresses, is it possible?
- It seems to me that everything is not in the profession, but in general at all. There are some clichés that there is no female friendship. Especially for some reason, the generation of our moms. And I also sat for a long time in my head. At some point I sat down and thought, and why do I think that even not female friendship, but in general I have no friendship? And I realized that at that time in friends I did not particularly need. So to speak. The main thing, I believe, understand - no matter what kind of friendship is - with a woman, with a man, - you need it or not. Whether you want such friendly support for yourself when there is a small circle of close people with which you are cool, just good. You relax together, you have a good time with each other. Need to decide for yourself, do you want this or not? Do you want a person in the theater, who would you have to sit with, move the bones to colleagues? (Laughs.) Here with Rosa Hairullina at some point, friendship arose. And it all started with what she supported me, for which I am immensely grateful. I was a new man in Mkate. In 2012, when I was setting "Karamazov". Konstantin Yuryevich Bogomolov invited me to a sad. But I was very difficult everything turned out, even very bad. I learned the rear number that I hung in the balance, and Bogomolov wanted to change me. And Rosa Hayrullina stretched my hand, supporting me in these difficult moments and as a person, and as an actress. She worked with me, conversation endlessly. It inspired me. And I was able to cope with myself, with my fears, with my omitted hands. After all, I even thought that I was not a place in the theater. That this is not mine. And no, everything turned out, the rose helped me. And how can I say after that, that among the actresses there can be no friendship. This is a profession, definitely. Perhaps who says that there is no friendship between actors, it means that we are all competitors to each other. Once you are two competitors, then something to be friends is true. It's all like in the sport, but then you can shake each other. I always say: you need to compete on stage, and not behind the scenes to insert studs.
With her husband Alexei Vedkov
Gennady Avramenko
- You have Konstantin Bogomolov not the first director. Admit, with what director you are interested in working - with those with whom you can argue, offer something, or with those who you trust completely?
- I do not have this, I do not like to make edits, offering my own. Better in the old manner, the director is a head, the artist is more sensual story. But I, of course, tolerate I can't stand the stupid director, who is absolutely not ready, which takes the topic, incomprehensible to himself. After all, going to the casting, you not only show yourself, you're still, if the director is unknown, a smartly serious, you go look at him, listen to him. After all, you, at least three months to be together, meet every day. Therefore, I want it to be wondering in a dialogue, understand your person is or not yours. I need to see, just chat, sometimes it is not even about what he is going to shoot. By the way, I can't stand when you start right away, from a place in a quarry, without prelude. (Laughs.) Give you a complex scene from the script or offer a huge number of text, and you just got acquainted. And this is despite the fact that there is no props, except for the chair and some assistant, which one sits, sometimes without a director. (Laughs.) Or the artist is offered to lie on the floor and behave as if he is on the bed. Why can't the sofa dock? As can, in principle, arrange complex samples, without offering some elementary conditions. Or, I was recently on thriller samples. Offered the role of a ghost mother. Invited to samples in a luxurious loft. And I can not understand how I will sit the ghost on a chair in such a chic atmosphere. And then the director suggested just to talk. But at the end of the conversation, he still utters: "Can you look into the camera scary?" My idea flashed in my head: "So, again twenty five! What does he think? Once - and you have a brand view? " I answered him that how much I watched thrillers and horror strokes, a terrible look and everything that accompanies the fright of the viewer, this is the component of the whole team: make-up, light, angle, sound accent, and most importantly, that in the installation it is inserted at a certain point, then It turns out the babes! And this all should happen unexpectedly, from this we shudder. But I did not argue with the director, because when you start to argue, you instantly become an artist with a complex character. (Laughs.) Immediately crawling the auditors, which is not something on samples with you, and it's wrong on the site. And since everyone wants to work, love to work, I'm better silent. But it strains it. It seems to me that if you want to achieve some kind of result, make a grimer, take off the studio, make the scene as close as possible to something. And, of course, perfectly when the director is smart, knows what he wants, has his own active position. This is usually big artists. They do not doubt. And they never have any complex samples. Because they know very well what they need. They just just meet, just look at youIt is very nice when you come to samples, and a person says that you watched your work. This is also a rarity. You have already shot a lot, and coming to the samples, it is often necessary to tell the director again, what is your name, what are your performances, what kind of filmmakes. I always think: is it really difficult to go or ask for at least a video tape, disk from the performance, to find your work on the Internet. And at the meeting, just talk. I understand, a meeting is great for understanding each other: to hear the voice, look into the eyes, feel the energetics of a person, to look after two as a couple. This motivation of samples is understandable.
- I'm right that Quarantine of this plan has greatly corrected the filmstingi?
- Quarantine is cool proved that it is not necessary to meet, everyone appreciated the self-promotes. And what is the problem then? Why then ride some studio and wipe the pants of the unfortunate assistant. This is enough for the first dropout, probably some understanding. But there are still young directors up to 30 years. I am interested in their energy. They are others. Sometimes terribly interesting. It happens that everything is by, but in this inexperience and inexplicity, the inappropriateness of perception of pure, like a white sheet, the world, it happens that it turns out very cool. Sometimes at once casual, with a finger in the sky, but with such directories and the team you can get into some new spaces. Where the director is an experienced will no longer go, he will need to make a lot of effort to erase all its previous stories and stamps and become a white sheet. After all, you need to become an inside of yourself and nothing to get somewhere.
- Partner or partner for you are paramount?
- Cinema and theater is a team. This is not a monologue. It is always a dialogue. These are primarily people around you.
- And if, suddenly the partner is unpleasant at the physical level ...
- Well, there is no such thing.
- It smells like a bad mouth.
- This was not. It happens that this is your person, not yours. And I am one adult director who has been filmed, said that it doesn't matter how you treat the partner, he likes you or wildly annoying - and the other in the frame looks equally. The most important thing, in addition to the plot written on paper, should be your personal plot of two people, two artists who are currently in the frame or on stage. We know the history of different couples who have already broken up, but they played love episodes. And it also looks incredibly cool, because it does not matter what energy between them is positive or negative, the main thing is that it is. This is much cooler than if two people who have learned the text, depict me with you some love. And in fact posing: see how I love her / His, see how I have it / his whole. And they are engaged only by themselves. This is at all about anything. And it is better when the artists are making each other. You do not like that he hangs something on the eye. He stands in front of you, and you shakes. And the director looks and says: Well, finally love went. (Laughs.) The main thing is to have a personal plot, in my opinion.
- Who can you see yourself in ten years?
- It will be my anniversary again. (Laughs.) Judging by the artists with whom we work and who have happened to this anniversary of the middle of the century, they all look great, I would say, luxuriously. Usually this event takes place in the foyer of the Moscow Art Theater. Your portrait at the entrance. There is a lot of people. All congratulate you. This is a very beautiful holiday. And I see myself, of course, the actress of theater and cinema. Beautiful mother's mothers.