- Julia, what brightest moment of shooting is remembered in the first place?
- When Ksenia and Captain takes place the very first meeting - on the shore. My heroine suddenly documented a suitcase, from which, naturally, all things fall out, including red lace underwear. When we shot this scene, a very strong wind rose. I had a blue skirt, which I tried to keep his free hand so that she did not get on my head. But the wind was such that the costumes glued me this skirt to the legs on bilateral scotch and even ... sewed to the bottom linen so that she did not go away so desperately. (Laughs.) In general, the wind helped me to play this scene as natural as possible.
- How do you, Dmitry Singers as a partner?
- Dmitry Singers, in my opinion, one of the best partners I've ever met. He is an amazing person and a wonderful actor. All film crew in him was in love. Before complex scenes, we have always pronounced key moments, everyone discussed. And in one of the evenings, Dmitry, who sings perfectly, made a creative evening for us on the ship - it was something. At the same time, I must say that we have the whole group was exceptional: and Agrippina Steklov, and Ilya Lyubimov, and Vladimir Vinogradov - all! Shooting ended a few months ago, and I still sometimes dream of our ship, the island of Kos, the sea ...
- So you removed the project on the real ship?
- Yes, some of the filming took place in Greece, on the wonderful island of Kos. Wonderful weather was the velvet season. Our yacht with a romantic name "Running on the Waves" was incredibly beautiful, just unique. The owner of this ship is clearly a big romantic - it was on such a ship, Gray could come to the associate. Every time I saw our ship from the shore, I didn't get tired of admiring - he was elegant and beautiful.
Director Mark Gorobets provicated with Yulia Agafonovy every scene so that it would significantly deliberate the character of his heroine. .
- Where did you live on the island of Kos? In a hotel or, as some members of the film crew, right on the ship?
- I lived in a hotel on the shore. It seems to me that it is important for the actor to change the picture before your eyes and share the places where you rest and work. After work, you need to come somewhere, to get together with thoughts, learn the text to go to the next day with new forces. At least I personally it was more convenient for me.
- During filming in the open sea, they did not suffer from the seaside disease?
- Fortunately, I did not suffer: I have a strong organism. Although the first few days after many hours of filming on the deck, I felt unpleasant symptoms, which I could not really describe. In such cases, I, as we taught us, took a horizontal position and waited when everything goes. After a few days, the body adapted to new conditions, and the unpleasant feelings were stopped.
- And what complex scenes were in the Moscow Pavilion?
- Once we removed the attack of birds. In the plot, they circled around the ship, fought in the windows and dive to people. For the filming of this scene, many trained pigeons and crows were brought to the platform. Some birds quietly sat on the porchos and pipes, and some looked, as if quickly leave the scenery.
- And in Greece, seagulls in the frame unexpectedly did not fly?
"Seagulls - no, but yachti and even big ships - it happened," flew. " (Laughs.) We have, in the plot, a technogenic catastrophe, and we, the crew of the ship, do not know whether people remained on the ground, and here - please, cheerful tourists. (Laughs.)
In one day, Dmitry Singers arranged for members of the film crew improvised creative evening, singing songs under the guitar. .
- How did the artists on the makeup bold actors from the groaning Greek sun?
- We were asked to constantly use protective cream and not to be in the sun, but no matter how hard you tried, not to light up, being in Greece, it is impossible. Making artists knew that it would be so, therefore, when we were filmed in the Moscow pavilions, the actors imposed a slightly darker tone, imitating the tan. And then, already on the installation, a color correction was performed. I do not think the viewer will notice the difference.
- Local inhabitants of the island did not try to interact with the shooting group?
- I even got friends with them! First, several Greeks worked with us on the ship the illuminators. Secondly, the locals from time to time were filmed in the crowd. And, thirdly, we made friends with the owners of coastal restaurants and came to their institutions as a visit - so warmly and welcoming us always met. A very friendly people live in Greece: an open, friendly, cheerful.
- Your heroine is prescribed a romantic line. Can you remember the most beautiful love scene on the ship?
- I believe that any scene shot on the ship is beautiful by definition. If two kiss or even just talk, standing on the deck, - any scene turns into a win-win.
- With whom from the actors of the "ship" you have become closest during the shooting?
- We made friends with the actress Irina Antonenko, who plays the older daughter of the captain. Not so long ago, they returned with her from the journey to Paris and Copenhagen - they decided to break out for several days.
- The audience remembers you on the TV series "Closed School" in which you played Maria. In the "ship", probably, did you want to play a fundamentally different character?
- By the nature of my Ksenia really turned out to be more romantic than Maria. But externally did not change me - they simply removed the bangs and more often curled hair.
- Series "Ship" - Adaptation of the Spanish project "Ark". Have you watched the original? Something took for yourself to a note from there?
"Yes, I looked a few episodes, I was curious." But the Russian version, of course, is closer to me. Watch the Spanish original I did not specifically, to avoid the subconscious copy. I prefer to work in a way - it seems to me that it is much more interesting.