Today, the actress Irina Lindt celebrates his birthday. She did the biggest gift herself. On the eve, the premiere of the children's performance of the "Stories of one town" of the Cultural Foundation Valery Zolotukhina and the Children's Theater Center "Premiere", where Irina acts as a director, and who successfully passed on the scene of the Mkat named after Gorky. One of the main roles played her son Ivan Zolotukhin. About his work, creativity, relations with his son, she told without any bill.
- Irina, what is the main difficulty in working with children, in your opinion?
- The main difficulty in working with children is their parents (laughs). I thought I would never shout on children when I started this activity. But, oddly enough, children listen to equal tones. I now mean the acting history. When very softly, they do not think. Do not perceive. But get me right, I'm not a despot (laughs). We have a very family atmosphere inside. Children on us are not offended. We go to the camp along with them. They know if we are gesturing, I, for example, I can call him an asshole, he just understands that this is a signal. God forbid, he was not offended at me now. He will later fit, will hug and say goodbye. We have absolute, in this sense, with children understanding. There is a backbone of children who have been with us for many years. This is our main troupe. We are absolutely one family in this sense. We go on tour together, and in summer, and in the winter camp. But the complexity occurs sometimes due to the fact that mostly parents cannot often sound. They need their children to immediately issue results. Immediately became stars. If, suddenly, something is wrong, they can be offended. Something to say not that. Maybe the child is incorrect to configure. And the most offensive, when you insert into the child, and after a few phrases of the parent, who is in an emotional rush, the child can be shuffled, in general to get out of the studio. These are such complex psychological moments. And, of course, there is also a discipline, not all children are accustomed to it. Nowadays, children are generally special in this sense. It is necessary to be tremendous patience to achieve results from them. You need to patiently invest and invest (laughs). And most importantly, believe that it is not in vain that the result will be. And when there is support from parents, then everything turns out.
- In the theater on Taganka, you worked with one of the unpredictable and talented directors. I mean Yuri Lyubimova. Something took in today's profession?
- Taganka is a special theater. It no matter how borders. I have a feeling that when I played in the theater on Taganka, I played as it were in all genres and formats. That is, this is not just a Brehtov any existence, it is a special school, after which it is easy to exist in any genre. And more domestic, and in Stanislavsky, and not on it. When you overcame some barriers that Irry Petrovich Lyubimov - in the poetic theater, and in conditional, then the rest is lighter.
- So you took from him as director?
- If we speak specifically, then not all artists own verse. The way she taught to read the material and how she taught to play verses loved, is a special school. I can safely say that I learned to correctly read the poems, I didn't even at the institute, there was a foundation there, but to feel verse, to understand - all this is a big loved school. The ability to work across the hall. See that energy that arises when the actor communicates with the hall.
- Your young actors and actresses perfectly hold the text. But I wanted to ask your son Vana, who plays in a play, one of the main roles, sings and dances. It was difficult to rehearse with my native blood?
"The complexity lies in the fact that I am not entirely objective to it in terms of what I demand more from him than from all other guys. After all, I do not know anyone as good as my son. I understand when he is in a raven state when he is assembled. I see where there is a ceiling where it is not, where it is possible. Therefore, I want my mother to show himself only with the best side. For example, we still have to find out why he had no belt on the guitar on the premier. I do not know what happened. He, of course, was hard to keep the guitar. Because of this, he could not fully play the instrument. Did he forgot him, or something else, I do not understand. I do not forgive such things. And the complexity is that he is very confident that Mom Everything thinks, especially since she is a director. If the rest of the children know that they are alone here that the mother will not come from work and the lost shoe will not find, then Vani has such a spray path - they say, I can finish something there for him. But he tempts gradually to independence, however, sometimes something like this happens. And then I am very scolding for it. After all, I always say to him that it is double responsibility, because there is always a difficult situation, because children see and know that you are a child of the director. Therefore, it is necessary to match.
- The son began to play on stage. Does this say that you see the potential in it, laid down by two actors and part-time Ivan's parents: Pope Valery Zolotukhin and Mom Irina Lindt?
Irina Lindt with Son Ivan
- He is by nature an artist, I see it. Artistic Nature, Nutro, there is a good temperament, a good stage voice. From nature, everything you need for the scene has. Now you need to work. Often, as experience shows, little data from nature. It happens, people less gifted overtake more gifted. And only thanks to its hard work. And he will need to work to develop. And there we will see. While he is going to enter theatrical. He is still a year to study at school.
- What kind of theater?
- Mkhat, Pike, while I look.
"You say that sometimes spend the" parsing of flights "after performances, but do you help your son in preparing for his roles?
- Of course, just like all other children. I rehearse with them, suggest something in the process of rehearsals, together with them we think what suit will be better, in general, I work, as with any other participant in the performance.
- He looks at the work of his father, learns to play his example?
- No, as a tutorial of the father's workbook, I have not practiced (smiles). He looks on TV some films. Now he has a period of growing, when other people's lessons are perceived with difficulty. He is now trying to grope himself. Therefore, all my comments is responsible for all my comments: "Yes, yes yes yes!" Although listens too (laughs). Trying to perform some of my tasks, follow my comments.
- I know, in Quarantine, he began to study the game on the guitar, what came of it?
- Literally from scratch, for this period, it mastered it very well. I started playing the electric guitar. I already bought the second. At first it was simpler, but he grown out of it (laughs). Became small. They took a more professional tool. And now even his teachers are surprised that in such a short time he already plays so well.
Ivan Zolotukhin in the play "Stories of one Town"
- He moves well on stage.
- And movement became very good. But it was completely non-coordinated in childhood. Absolutely. That is, as his dad, by the way, Valery Sergeevich, who was very much, no, not very coordinated (laughs). I constantly thought then, well, what Vanya did not take my nature. But at one time he was carried away by the style of K-Pop - the genre of dance Korean music. And began to walk on dancing. And somehow gradually he himself, looking at the video, memorized movements. At some point, I realized that he began to get acquainted: he began to get into rhythm, began to warm up the body, new movements appeared. And now, when I see how it exists on stage, I understand: everything is fine. He can learn a difficult dance drawing. And this is the merit of his self-education.
- Question both to mom and actress, director, head of theatrical troupe - who see him in the near future?
- If only he was happy and was a good man. And what path he will choose ... I, like any mom, more importantly, so that he is happy, so that he has everything and in his personal life, and in work - whatever he is doing.