Viewing all series of large-scale clooting can be imposed by a sensation of truly reinforced concrete stability. This year will be 25 years since the release of the first "songs ...", that is, it all started in a completely different technological and ideological era. Nevertheless, the star participants of this holiday still do about the same and have great success among the public. A reasonable explanation of such a mental collapse can be only one thing: they love stability, and therefore retro taxis.
However, before the start of the song epic, many seemed to many that with our national retromation can be successfully fighting. At the beginning of the nineties among different metropolitan libelodums, the theory was very popular that if our Council is a link to the stage of the stage, and in all the efforts to proclaim Zemfiru and Lagutenko with new Pugacheva and Leontiev, then life will very much. No prohibitions are just a new essential policy, at the head of which there should be cosmopolitanism and holy faith in musical progress. Moreover, many seemed like new teleproductors in steep antiques and with rebellious hairstyles think the same way. Of course, at first it is possible some discontent from the electorate, but if you show hardness, the Britt-Pop will eventually win and become our new national Muzide.
In the popular star project, riveted retro images and performed classic hits of Soviet pop. In the photo: Lada Dance, Alena Apina and Natasha Queen
Photo: Frame from the program
Such an intriguing anti-pop plot in many instilled optimism. In the middle of the nineties, it seemed in general that we managed to jump into the last car train, which moves in the right direction. However, a beautiful adventurous idea soon became the victim of a banal Ostankino journal. Those very highly fitted producers arrived as a flock of greedy co-operators in the market. The battle for the victory of modernism, they preferred immediate benefits. I wanted ratings - and as a result, the pro-Western course was sacrificed to the songs from the Soviet cinema.
To the songs themselves, by the way, there are no complaints. As with the "old songs about the main thing", if we are talking about a television product. Even a quarter of a century later, someone will argue with the fact that all this is famously removed and, in general, done with the soul. But with no less confidence, you can talk about the box of Pandora, who in the desire to please the people opened our bright TV shows. Old songs clung to us with a dead grip and do not let go of a quarter of a century. The worst thing is that almost everyone likes it.