The brave defile of our heading under umbrellas before serving the awards of Thafi looked quite alive, and more likely more than some moments of the ceremony itself. Of course, the worst evening outfit - trifles on the background of the already submissal reputation, but even in such a position, familiar faces did not leave optimistic smiles.
In the very hall of the smile immediately died. It has long been noticed that our so-called creative communities are very hard accepting the success of competitors, and the atmosphere reigning on Oscare or Emmy, on local prizes, unfortunately, does not come true. As a result, on large plans in the main face of people, stubbornly looking for traces of a cunning conspiracy. Although there were almost no signs of this very conspiracy. And if the success of political programs is perceived as a kind of satire, then all victories of entertainment projects or serials, including a fairly clusted in three nominations "Trotsky", in general, do not give reasons for thinking about terrible injustice. Probably, all this allows us to conclude that the most intriguing part of the Teffi was the same rain.
In the final of the project "Voice 60+", the intrigue turned out to be more. The contest with the participants of the competition suddenly changed the loud scandal and even the requirement of some hot heads to replay the final. According to predensive television viewers, the distribution of songs among the finalists "Voices" smash in natural chairs, because of which Nikolai Harutyun suffered. It was him that he was (I Can't Get No) Satisfaction from Rolling Stones, and it was this song that was completely unacceptable and incomprehensible to the public, as a result of which the legendary Russian bluesman received much less votes of viewers than deserved. It is possible that at that moment Mick Jagger and Keith Richards nervously ikal, because they have not felt the source of evil for a long time. Let's hope that neither the winner of the project Lydia Muselev, nor Nikolai Harutyunov do not belong to the playful passions too seriously.
The lack of unnecessary seriousness is possible, the main plus of the age "voice". It did not have a bulldozer pressure of adults who want either to become pop stars, or return to their ranks. There was no heart-ridewater insecurity of children who were suddenly sent to play business. Everything went without unnecessary fuss and in a very benevolent atmosphere. And here Rolling Stones spoiled everything. Probably on the joy of cosmopolitam.
"We dance with Elvis almost equally, only by different parts of the body," says Frank Sinatra, after which it starts to pull and sing Love Me Tender. Elvis sinks, enthusiastic girks are heard. All the power and cunning of the Bourgeois rock and roll could be felt in the large documentary film "Elvis Presley: seeker." Two series, during which the life of the King Rock and Roll was considered in almost a microscope. Of course, Teffi does not threaten this film, but it is precisely such impressive diving in history can be a reason for buying a large TV.