"Albina, you worked with Michael Jackson's choreographer Travis Pain." So seriously feel about the dance component of your speeches?
- Yes, I am very serious about the dance component of my speeches. I myself am a professional dancer. And for me dancing, the visualization of music is an integral part of the perception of the song itself, which is why I myself put the choreography for all my compositions: even here I can not trust another person. After all, only I can feel and convey to my viewer what I want to express.
Albina - the only person in Russia, who worked with the choreographer Michael Jackson Travis Pain
- But Travis Payne trusted?
- No, that's different. With Travis Pain, I did and continue to engage in the development of my individual style. He is so called Manitor, who is all I know and be able to unite into one. The same, by the way, was happening with Michael Jackson. Trevis and I spent a clock in the hall to grope the movements in which I look as harmoniously as possible. It is called the development of the style: you are dancing for hours and the same, he looks at you and records those moments in which you are absolutely beautiful. Then the definite amount of these movements accumulates, and you already make up the framework, which then you can add anything. This is a painstaking work that requires a lot of time and tremendous effort.
"You dance with the same hour and the same, he looks at you and fixes those moments in which you are absolutely beautiful."
- Why did you choose it? And what is it to work with Travis Payne himself? Did the creative differences arise?
- Trevis I chose not by chance. I communicate with many choreographers, but it is the campaign of Payne to the development of a style close to me. Because he did not put anything to me, he forced me to search for me to look for those things in which I was comfortable. This is a unique person in nature, and I am very happy that, after Michael Jackson, I am the only person in Russia who managed to work with him.
And of course, there were no disagreement with Trevis, because this person creates the most comfortable environment to the artist to which there is something to show and tell the viewer, it was easier to do it. By the way, according to Peyne, my approach to work reminded him Michael Jackson - he, too, all possible in his project controlled independently.
Some elements of the individual style of Albina, which appeared as a result of cooperation with Travis Pain, will see the fans in the video on the song "Not with me"
- We will see the result of your cooperation in the new video on the song "Not with me"?
- Anyway, in this video, of course, there are already poses, gait, other moments already from my own, accumulated with Travis style. These things are clearly distinguished against the background of the general concept and are noticeable in the video. But all this is portion, because this video has another task. And if I had focused on complex dancing, then the feeling of the song would be lost. And it is very important that the choreography correspond to the text and mood so that the picture adds sensations, strengthened the music. Therefore, not all tracks require the presence of strong choreography. But, fortunately, I have the following compositions that are made precisely for me to reveal in this direction, which will be able to show all my potential and as a director's choreographer, and as a professional dancer.