- On the channel "Russia" again show the series "Black Cat". What is the most difficult in shooting such long-playing projects?
- We are preparing for the role, we think about your hero, and the more scenes you have played, the clearer for you your character. And then there are breaks in the shooting, sometimes even periods. It is difficult not to confuse the found, living in parallel with your life, playing in the performances, removing in other pictures. I have another project during the filming of the "Black Cat" in parallel. The role in the "cat" is not very big, so on the set I was driving with large intervals. This is the main complexity. In general, a wonderful and spiritual company gathered at the filming of the "Black Cat". Anton Siverses, the director, with whom I have long dreamed of working, Ilya Dyumin, the operator who is incredibly beautifully removes, and the cast is also excellent. It was interesting and fun. Removed not only in Moscow, there was an expedition in which I visited. And in this project, I finally crossed with my beautiful girlfriend Yule Galkina - it's happiness!
- Fatigue from such a number of material is present?
- You know, such a state language does not turn to call fatigue. I would even say that this is a big acting sin - to complain about the fact that a lot of work. Great joy - to be a demanded actress, despite the sleep in airplanes, long separation with loved ones, fatigue ... It seems to me that it is a pleasant and useful fatigue. She teaches us more attention to paying their health, lifestyle, proper nutrition, regime. It is necessary in order to just enough forces. This is a buzz when a lot of work. When you learn to manage to go everywhere, and everywhere to do the work qualitatively. It is interesting.
- You are talking about the health, lifestyle, proper nutrition, mode, and, by the way, what is the so-called, "kinocorm" - a meal that actors offer on the shooting area?
- There are different periods. I believe while the actor eats a movie, it is very difficult to knock out from the saddle (laughs). While we eat "Kininemom", it is difficult for us someday and somewhere to choose or storing with gastric problems. This acting food that temper (laughs). It happens, the moments happen when you can cook something and carry with you. But it is most likely from the genre of fiction. Usually you go to the site and eat what they give everyone. Pah-though-pah, knocking down the tree. Just it is usually lucky with companies. I do not remember such projects when it was impossible to eat on the site.
Photo: Evgenia Vdovichenko
- What is more afraid that the director will suggest to lose weight, recover or undress before the camera?
- Depends on the director. If you work in the company of people who trust, nothing is scary (laughs). But to lose weight and recover are different things. I would have experienced more if I was asked to recover, because then it's more difficult to go out. But, it seems to me, in the soul, all the actors dream of such bright changes. When you offer this, it means that the project has the opportunity to give you time to prepare for the role. Work in a way. It's cool when you for the year / half a year before the start of the shooting you begin to seriously go to some purpose. We add together with the director in the mind of the puzzle of the image of your heroine. And for the sake of this, change your appearance. Just now in the movie is not very often doing. Quickly remove, quickly prepare or take an actor, which is fully suitable for a role. And something to look for, it seems to me that it is always great. And about undressing ... why not, when it decorates the cinema, and you are young and beautiful. Just when they play the scene of passion, and covered with a sheet ... It always causes a smile ... I'm in this plan, of course, for naturalness and beauty (laughs). By the way, in the Black Cat, I have a scene, where I am in underwear. Although in principle it was planned that I would be in a bathrobe. Our beautiful costume artists have found a set of underwear of that time. Lingerie is not very frank, but still, it is underwear. I was offered, I agreed ... It turned out, it seems to me, very beautiful (laughs). Scene, where we are with the gel Money at night in the kitchen.
- Does there have any ban on a particular image, a character, director, partner to what you never go on the site, even because of the big money?
- Who would I refuse to play, for example? I do not know. So far, thank God, I did not offer such projects, about which I would say: "Well, no guys, it's a complete nonsense! Swatch you yourself in your boat! " I have stories that warm my soul. It happens, you are offered to play a negative character ... a year ago I played, for example, a psychopath, a person of a patient, with a diagnosis of medical. My heroine made terrible things. I studied in detail the issue of "psychopathy", read books on psychology, discussed with a director, why, where, when she started. Why she revenge and does it. What she feels. With such an interesting story, it seems to me that you can encounter only when you play a negative character. And so, I believe that art should carry and bring something good, bright. Provocate people to eat them in themselves, found something good, saw that good around that we do not see. I understand that violence in the cinema is inevitable, but for me personally, the plots are unpleasant when children are tormented, old people. I believe that talking about it in the movie and the theater is superfluous. What for? It is better to talk about lighter and good.
- In this case, what is primary for you: the script, the director who embodies it or partners who help you in this?
- Cinema is a team game. And what is primary? The first to you gets the script (smiles). Then you will find out the name of the director and only then get acquainted with partners. Usually the ladder is so. It is important. Without a good and strong scenario, it is difficult to remove a good movie. Without a good director, it's hard to remove a good movie. Without a good partner, it will be impossible good cinema (laughs). In good stories everything converges. Of course, there are directors with whom I would like to work, and there are those with which I would not really like, there are names of which you are afraid and think: "No, I will not suffer myself and torture" (laughs). With scenario, there may be metamorphosis. You read one story, and in the process you communicate with the screenwriter, the director, they find something together, complement. Recently looked a live broadcast with Ilya Tilkin, a very good screenwriter, so he told that always when the project was launched, it was opened to communication. He can call the actor, for example, to come home to him, sort out all scenario issues. For me, this is the perfect option when the actor has access to the script. And it's not in the sense to rule and rewrite, but in the sense that the person who came up with and built a picture will help you to figure out what is hidden between words. Well, the partner is definitely very important. True, there are stories when there is no love and mutual understanding on the site between partners. But friendship friendship, and service service. When people are professionals, they can play under any circumstances. It gives even new interesting coloring.
- You somehow long ago believed that the artist is not a profession ...
- It was an erroneous wording. I understood this when I learned for three years in Inyaz and entered the theater. I have a medic. And in the first year, I remember she told me: "I thought that there was nothing heavier than honey. But then, in what mode you learn ... it seems to me that even in the army easier. " And it is true. In terms of labor costs - it is more than a profession. That's life. No matter how pathetic it sounds. There is no such thing that I went to work an actor in the morning. I go to the theater and start working. No, the actor, this is a person who constantly watches, thinks all the time in motion, in the search. We are preparing for role not only during rehearsals. As soon as you get the material, you immediately begin to think, you start wrining your character. Search for answers to those or other his actions, actions, why he behaved like that, and not otherwise. And it happens around the clock. This is a job that goes constantly and flows into life. It is very difficult for some border to designate between - here I work here, and here I live.
Photo: Elena Steafirt
- Not for factory bitch?
- Yes Yes. It turns out that you are constantly in the process. You always watch us taught us at the Institute. Section in acting skills - observation. You learn to learn from the people of their manner to speak, move, intonation, reactions ... and it happens constantly. Always follow someone, including by me. Hit, burst out, and you yourself think how to play this reaction to the cinema or on the scene. The artist is a diagnosis.
- You studied in INAZ and threw it. When I realized that it was not for nothing that did not know how to choose otherwise?
- Immediately as soon as the first tour of the MHAT school was held. I studied at the Minsk State Linguistic University a year and a half. In his hometown. Then transferred to St. Petersburg. There was still a year and a half. And somewhere in the middle of the third year, I very clearly realized that I was not doing that expensive. This is not what I want to do all my life, and what I will rejoice. In my childhood, I wanted to sing. Went to theatrical studio. But there is such a misconception when they say that the artist is not a profession. What you need to get the main. And then already engage in this "creativity." My mother and I decided together that I need to first learn languages, and then think already. I lived for three years in this environment. I realized that I could teach children, I can be a translator, but this is not what I want. This is not what the soul seeks. And then I realized that if I do not try at 20 years, I will not risk and do not do it, then there may be more chances. And as soon as I got into this Wednesday (there is a long process, you since you start riding, passing tours in different establishments, come immediately everywhere: Gitis, Pike, Slice, MCAT, VGIK, such a famous five), I immediately understood. My, this is what I want to do all my life. And by the end of the receipt, there was a sharp feeling that you need to do, otherwise I do not know how to live.
- And everything happened like Cinderella, learning went like oil?
- Heavy times are all. It was difficult for me to learn, because it came from the theater world. I did not understand what was happening. What you need to do ... for the first two years I had difficult. There are a lot of questions to yourself and fighting with your complexes ... And the first big victory happened to me when Alexey Gennadyevich Guskov came to us to make a diploma performance "The Tram" desire "on the play of Tennessee Williams. I played Stella there. And when we released this performance, I realized that everything would be fine: "You can, you do, you get pleasure." It was my first step after receipt when I felt a strong soil under my feet. And I am insanely grateful to Alexey Gennadevich. Konstantin Arkadyevich Rykin, my master of the course, a man who took me to himself, I am glad that I studied with him. We are one blood - restless, ill for the theater. And Guskov - like a godfather dad. Which came and gave faith in herself.
Performance "Tram" Desire ", director Alexey Guskov
Photo: Personal archive actress
- And Fokin, and Bezrukov?
- With Fokin, it is not that not happened, I am madly grateful to him for taking me to the theater after the school of the MCAT studio. I am insanely grateful to his work in his Alexandrinsky Theater. With chic troupe. I still have a lot of friends from this theater, close to me in spirit. It was an important year for my formation. The ability to touch this story, to these people, traditions. In Alexandrinka, not a single theater smells like that. This is a story for life. But I just realized that I want to live in Moscow, and not in St. Petersburg. These are different atmospheric, this is a different rhythm of life. It was difficult for me after the Studio Studio MCAT, after Raykin, after a very active life to move to Peter, and everything is so calm (laughs). Nothing needs to run, worry. In St. Petersburg, it is, there is another rhythm, other people. If Muscovites always run, and this is normal, the Petersburg goes, smoothly strolling. But I'm still closer to running. To compare. And I thought that I was not ready to sit and wait. I wanted to develop at this important time after the end of the institute, to meet, declare yourself. In St. Petersburg, I was limited in the possibilities, it was just necessary to go to Moscow for this. I decided so for myself. And he was ready to move when I had a "temporarily unavailable" with Sergey Vitalyevich Svyrukov. We worked the project, then he suggested that I go to work in the Moscow Gubernsky Theater, he was already leaving for the year. I looked from the side, as he belongs to the profession, to actors who work for him, and went.
With Sergey Bezrukov, in the film "Temporarily unavailable" directed by Herborodov
Photo: Personal archive actress
We have many filmed in the film from MGT troupe. For me it was a great figure. Especially after Alexandrinsky. Where the hierarchy, where to approach Fokin directly and talk, it is unrealistic. Need to be recorded. Approaches are different. In MGT otherwise. You can talk at any time with the articulum, to offer something. We guys have a performance put, for example. They came with the idea, offered Bezrukov and did. Here is another communication, the other position of Khrasuk. Sergey Vitalyevich believes that the actors need to be filmed. In St. Petersburg treated this negatively. And Sergey Vitalyevich says: "Approved? Forward! Remove! " We know our theater schedule to be in advance to plan the shooting days under it. And then everything is possible to destroy. I happened when you go from one city to another, then on the third, then you return to the first, and the next day you go to the second. Now everything is moving quickly, you can arrange everything and agree. In this regard, before your artistic director, I remove the hat. I am grateful to him for what he does. What makes it possible to act as actors. That he himself always advertises our troupe, our actors, calls important people to our performances. Well, and, of course, puts interesting performances, gives good bright roles, attracts to the formulations of interesting directories. When I came to the theater, and I work in it for the sixth year, I realized that this is the place where I want to be. Where I want to stay for a long time, pah, ugh, pah (laughs and knocks on the tree). Beautiful theater, troupe with insanely talented guys. I want not just to work with them, but to build a house and move it there to everyone together in neighboring apartments. So that you can live in addition to working and be friends. Here is such a troupe.
Performance "Bench"
Photo: Personal archive actress
- What do you see a successful actress satellite?
- Oh! There is no universal response to this question. Everyone has their own story. I think it should be a person who understands the same acting world in which we live. For example, we often work on weekends, in the biggest holidays, we have night shifts, touring, sometimes coming from work, sit down and start thinking further over the role. Something to look for. Get away from people. Close in yourself. Or read some books, watch strange films for working on something. Go to the park, watch people. An unprepared person is unlikely to be able to accept such a lifestyle of its chosen or chosen one. It will be difficult for him to explain all this, for example, as you can work on December 31. Why we can not go to rest in summer. And because the summer shooting, and in the winter christmas tree (laughs). It turns out that we are all the time on the swing. In general, I have no accurate description of the satellite. It should be a loving person who takes everything and understands. I was lucky, next to me such a man. He respects and loves what I do.
- Regarding quarantine: You are now in Minsk, where everything is fine with that, in the sense that no one is sitting at home. Shooting there also pass?
- Not. In Minsk, too, everything is worth it. Here a lot is removed in Russian participation. In Russia, all filmmaking is stopped and the boundaries are closed. There is also silence too. There is no quarantine as such. But the disease, of course, is also there. It is felt in people, according to business, in public places, which is not good. Someone wears masks, someone does not wear. Who could have switched to remote work. Someone took a vacation. All the same, just officially do not take such serious measures, as in Russia. And the problems are the same.
- I can not ask this question in any way. Tell me, and your surname is somehow connected with the surname of the robbed dentist Anton Shpaka from the movie "Ivan Vasilyevich changes profession"?
"This is the most favorite my film, quotes from which I knew by heart, before I looked at him (laughs). My surname Shpak translates from the Belarusian language as a star. Everything is very simple. Normal Belarusian surname.
-But in the film she was not at all Belorussian.
- Well, yes (laughs). By the way, my mother is a dentist. So, you see, everything intersects.