Today, Sergey is just grinding from directors, but there was a time when Puskapalis had to wait for years. He himself says that the case plays a very big role in life. For more than ten years, the actor played in the Saratov Theater of the Young Spectator named after Kiselev. And then the director Peter Fomenko arrived in the city - specifically to watch the "inexpensive" Fonvizin. Pustapalis played a brigadier there, and a meeting with Peter Naumovich completely turned the life of the actor from the provincial theater.
Later, Sergey went to Moscow, where he entered the Directory Faculty of Gitis under the leadership of the same Peter Fomenko. Moreover, the Master took the future star immediately for the second year, and later, closer to the end of the training, entrusted to the play Alexey Slapovsky "Twenty Seven".
Today, Pustapalis puts performances in many sign theaters of the country - from the workshop of Peter Fomenko to Oleg Tabakov and "Contemporary" theater studio, and in the theaters of Bashkortostan, Chelyabinsk, Omsk, Petropavlovsk-Kamchatsky, Yaroslavl.
With an equalist turmeric in the series "And in our yard"
Sergey's filmier began a little later than theatrical and directorial. In 2003, he starred in the episode in the film "Walk", and after three years I received a major role in the painting "Simple things" Alexey Popogrebsky. Sergey claims that he fell into a big cinema solely because of his son Gleb, to which he had repeatedly came to the filming platform "Koktebel". There he met Alexey Popogrebsky, who was in the film by the second director.
Today, Puskapalis himself says that for him personally the cinema began not even from the film, but with a person - Alexey Popogrebsky. He he considers him to be his mentor, although at the time of the filming of "simple things" the Pustopalis itself was about forty years. Others followed this work, which became truly significant for the actor, - in the films "As I spent this summer", "Metro", "Icebol".
Today, Sergey Puskapalis continues directing activities in the Mkate named after Gorky. As Sergey himself explained, the glorious theater needed a new impulse. Today, Kryukru Theater - Eduard Boyakov. Pustapalis is his deputy on creative issues, and the writer Zakhar Prilepin is responsible for the literary part. As the actor admitted, this is his close comrades - close in spirit, on understanding of life, in its development, which is important.
However, despite the fact that all projects of Pustapalis in Moscow, he himself live far from the capital, in Zheleznovodsk. If you study the biography of Pustapalis, then you can learn in parallel and the geography of the country. He is the son of Lithuanz and the representative of the ancient Bulgarian kind. Born in Kursk, in childhood he lived on Chukotka, he moved a teenager with his family to the Caucasus, served in the army in Severomorsk, he worked in Saratov, studied in Moscow, then he was invited to the main director first to the Magnitogorsk Theater, and in a few years to Yaroslavsky. And later, despite the successful career in Moscow, he began to build a house in Zheleznovodsk anyway. "I am very good there. I chose the best place - the resort, and the year-round. This is not a link like Lermontov. I can call this city with my home, "says Sergey.
Gleb, the son of Sergei Pustapalis, got on the shooting platform as a child and now, like father, is a successful actor
Photo: Instagram.com.
It was in Zheleznovodsk that he met his current spouse Elena Pustopalis. Once, in childhood, he was engaged in her theater studio. And then, after a short marriage with actress Elvira Danilina, met with Lena again.
The son of Gleb was born in this union, who went in the footsteps of the Father and whom they learned all the kinomans after the film "Koktebel". Today Gleb spends almost all the time in Moscow. "Gleb is already a Muscovite, probably, says Sergey. - I understand that, unfortunately, or fortunately, everything related to the professional growth of any person is concentrated, this is such a node, solar plexus. But in relations with Moscow, it is necessary to be extremely delicate, neat and vigilant. "
In addition to the acting and directorial career, I have Pustapalis and another lesson, which allows him to feel financially independent and agree only on those film projects that it is truly interesting to him. In the nineties, he organized the sale of books by opening a specialized stall in the theater foyer. Money that traveled trade, Sergey spent not on cars and restaurants, but to buy new theater costumes and making scenery. And today in Zheleznovodsk, Sergey has its own restaurant, which is said that this is an exceptionally respectable male place. As, however, his owner is a charismatic Pustapalis, which we used to see in the images of strong and able to take over the responsibility of men.