Actor Victor Loginov, whose star rose after the series "Happy together", tried in his life a lot of professions. And, interestingly, quite distant from theatrical.
- You graduated from the theater in Yekaterinburg by the profession "Actor Theater and Cinema", why did not work in the profession, but I tried the lot of others - were the lifeguard of the VSGS, went out on the accident, extinguished fires, worked as a guide, went to the mountains and went down to the ground?
- In fact, I first tried everything, and then graduated from the institute. I entered the theater in 1992, from there I was transferred to the St. Petersburg Academy of theatrical Art, then my daughter was born, it was necessary to engage in her upbringing, so I started working here, then there. In general, I received higher education during twelve years - the diploma was presented to me in 2004. And since then I work only by profession.
- You somehow said that your best years have passed in Yekaterinburg. Do you really think so?
- There were active years, filled with life, and then I did not have such a number of children who today fill every day the most different and interesting emotions. There is no best or worst years, at each age, in each period of life there is something unusual, what clings you. Of course, the unrestrained fun, which I had in Yekaterinburg could not be now. I lack my friends, colleagues, theater. At that time I was so tied to them, which seemed to me as if it was my theater family, and would always be so. But times are changing. Although now we communicate, write off, congratulate each other with the holidays.
The role of the bequin genes in the TV series "Happy Together" brought Viktor nationwide popularity
- The role of the Bukina genes from the series "Happy together" has greatly changed your life?
- Naturally. Everything has changed. I lived in Yekaterinburg - now I live in Moscow, worked at the Academic Drama Theater - I work in other theaters. My attitude to life has changed, to many of its aspects, and time has changed, and I became another - an adult, wiser, began to look at some things otherwise.
- Not tired for six years of work in the series?
- You can get tired of anything, not necessarily for several years, sometimes one day is enough. In general, this whole story with the project "Happy together" ended seven years ago, it is already so yesterday that I can't even remember my feelings. I remember that it was incredibly tired, we shot 12 hours a day for six days a week, with one weekend. When you get tired, you are in the same way, at some point you no longer want anything. Sometimes I wanted to throw everything at all and send to hell. But now, when you are some time without work, you realize that it was perhaps the most blessed days. There was confidence. I knew that three months I work without weekends, but then two weeks I could rest and do anything. And now you are sitting and all the time you wait for something, the work is, that is not.
- Remember the day when you woke up famous?
- Sure. This is the day when the first series "Happy together" came out. I then lived on the street academician Queen and in the evening I went to the store to buy something for dinner. I stand in line to the checkout and see how several people whisper with each other and show on me with a finger. I think well, you started learning! Fits a young man and says: "Hello, was you filmed in the series?" I say yes". - "Can I shake your hand?" - "Of course, please." - "You are well done, I would not be filmed in such a shit!" Here you are glory. I am absolutely not reflecting on this topic, I had anything in my life: and in the limousine they met a plane to the ladder, and several thousand fans welcomed us in the shopping center in Yekaterinburg. There is a difference between glory, fame and popularity. Popularity often passes. If you do not show on TV, then you have a little forget. Now everything is not the case, as in Soviet times, when the actor Baba is enough to play the role of Chapaev once, and his whole life knew both Chapayev and adults, and children.
In the play "When will come tomorrow"
- Probably it was not easy to part with a serial manner. Theatrical and filmmakers have long seen Bukina in you?
- still seen. It is very difficult to get rid of this image, although personally I have long been abstract from him. But all the others - no. When I now come to the castings, I will immediately recognize me, and something like "a, well, yes ..." is read in the eyes. The castings spend not one person, but a group of people: producers, assistants, assistants, and among them there will be someone who says: "This is the same gene Bukin," and everyone will nod your head, they say, everything is good, but a little bit not comormy We have a serious movie here ... But there are those who are ready to risk. So it was with the producers of the series "Chernov", which not so long ago came out on the NTV channel, turned out to be a very good product. Although it was very much reduced, they cut out a lot. And it happens to completely and close - you are doing one, and the audience see quite another.
- What is working for you in Sitkom? Is it very different from the theatrical?
- These are different things, I would not choose. In the theater, everything happens here and now, every time I go out on the stage, I do not know what the performance will be. You are moving in one direction, and you seem to be holding back, some kind of invisible wall between you and the hall. This may be associated with anything: with bad weather, with bad news, with an increase in retirement age - yes with anything. The general biofield of the hall is formed, which seems to be not read, but nevertheless it is. And the cinema is, as they say, spit in eternity. Here you woke up today, with a certain state came to the shooting pad, you were removed, and all, you will not do anything with it. If in the performance I can play better tomorrow than today, or today it is worse than yesterday, then there is no movie. That's what he is, this gene Bukin, so will be.
Victor Loginov and Nadezhda Angarskaya in the play "Hits
- Tell us about your theatrical works.
- I have a lot of theatrical work with which I drive around the country. To some, I relate to a greater fraction of sympathy, to some - with a smaller, but both work in the "Millennium" theater is very expensive and close. These are two completely different performances. "Hits for hiring" is a light situational comedy, something similar to the "marriage of Figaro". "When tomorrow" - a comedic parable about the attitude towards life, about the path that a person passes, about what a report he gives himself at the end of this path, removing the masks, removing the covers. Who are we? We arrive in this world and go nagi, we want to understand with what? We enter into this life, not knowing the price of yourself or the path of development of our personality, but, leaving, carry some luggage. And then get the most significant things from this luggage, decompose them on the shelves and understand, was it all vain everything was? Plus, approach it with sarcasm, with a certain fraction of irony, with a smile on his face, not afraid of criticism and, most importantly, self-criticism.
- How do you have relationships with colleagues?
- Wonderful. In "When will come tomorrow", we have a purely male team, and I can say that we have a tremendous pleasure from work in such a surroundings. All guys professionals, every second on stage I see it.
- During rehearsals there are no disagreements, scandals?
- If there are, then with the director, but we can find a compromise. The director, because of his profession, should be able to ignite the actor. If there is no spark, then the fire will not be. No matter how much I claim to play, and not otherwise, no matter how much it offered, conditionally, to wear skirts and red wigs, if I do not understand why I do this, I can not justify it. But to make me believe that it is possible that I become part of the world who lives in the head at the director, is a difficult task, and if this happens, it means that Spike "Actor-Director" works.
In three marriages, Victor was four times the Father. In the photo: with daughter Anna
Photo: Instagram.com.
- Children go to your performances?
- Sometimes go, and it's terrible! For example, in the same scene I taught the girl, plus in the dialogues a lot of adult vocabulary, there are rigorous jokes, etc. And suddenly I hear during the performance not even a children's voice, but a child's leopotok for three years, and I understand that somewhere in The hall is sitting with a stroller ... it acts quite ambiguously (smiles). No wonder they say: in order to discourage the actor, it is enough to bring an animal or child to the stage - they are so immediate that it is impossible to replay them. So, the whole performance this baby was buried, the benefit of it is infrequent, but every time all the audience heard him, and we, naturally, too. All magic (and theater is the magic) instantly disappeared.
- What are you happy to spend your free time?
- My only passion passion is yachting. I chase under the sail with friends. Last year were on the Mediterranean, Turkey and Greece. This is amateur races, but I have a dream: maybe someday I will become a skipper!
- It is known that you were married three times, you have four of your children and one reception. What are your relationship with your former wives?
- Absolutely normal. We communicate, discuss everything that concerns children who need what, who have any problems, etc.
- What is your personal life now?
- She is.