They say how the ship will call, so he sails. Her name, as well as hope, love and endless optimism are faithful to Voronkov in life. A year ago, she experienced a difficult period and even thought to say goodbye to the profession. But I realized that I was not able to live without her. Work has always been a priority. While the actress has two children, and she never experienced a lack of love and attention from men. Details - in an interview with the magazine "Atmosphere".
- Faith, you are an incorrigible optimist. It seems to me that they don't even change in this sense over the years ...
- I'm already, unfortunately, corrected optimist, but I easily restore after a minute of despondency. Alas, we are frowning not as our parents. I recently left the last aunt, which a month before the ninety humanity told his daughter: "Katya, something else left me." And my mom is still a lot of life, although she is ninety-four years old.
- And in childhood or youth, when everything seems very sharp, you have not had minutes of intolerable despair, strong offensive, experiences?
- In general, no. I had excellent childhood, although we lived with my mother in the far near Moscow, in Barybin, where there was a very cruel life around. I started dancing at nine years. In our team there was a completely special atmosphere. We came there in four days and left at ten pm daily. And I understood very early that the theater would remain in my life. We had a wonderful manager Julia Vasilyevna, the wife of the Club Director "Zarya Communism". She created a successful popular team, we performed in Moscow, despite the fact that they were sixty kilometers from the capital. Yulia Vasilyevna had four children, but as soon as they broke up with her husband, they ate very quickly, and she left for Kuban. It was my first acquaintance with the theater from the inside. She formed all personalities in us. So everything that happened to me in childhood, on the one hand, contributed to my optimism, and on the other, I understood that a creative story could be unfair.
- And mom showed a rigor?
"No, I have always been older towards my mother, despite the fact that she was born in forty-one. I wound up early, my own decisions. At first nine years he went to engage in this team, accidentally seeing his speech, and translated himself to another school, everyone who danced there was studying. Mom really wanted a child, so, naturally, Potakal me in everything, incredibly annoying with his concern, for example, what came to meet me from DC. And I already had the novels, and we walked like this: I went ahead with my boy (I studied in the fourth grade, he was in the eighth), and behind the mother with his friend. And she did not calm down, just went and when I was fifteen. Therefore, at eighteen, I left home. But even after my marriage and the birth of the son of Mom came with her concern. It is abnormal when a person sees all his destination in a child. But she still believes that her life has succeeded, although neither his beloved work or family. I think this faith in successfully living life and gives her strength. And this is happiness. And her and mine. Because it remains for so long to remain a child - happiness.
"I have always been older in relation to my mother, despite the fact that she was born in forty-one year"
Photo: Vladimir Myshkin
- And you did not know dad?
- No, I have never seen. And it didn't care at all, I did not feel any damage, nor some special interest.
- Have you been successful in boys and school?
- I was there "the main one", but at the same time he was friends with duders. The boys kneaded in front of me, just say, and I was completely uninteresting to me with the girls. But with classmates, I was only friends, I always liked the guys older, while the young one was. (Laughs.)
- How did you turn from the dances to the theater?
- We were fourteen years old when Julia Vasilyevna "left". But at the end of her work, she puts choreographic performances with us with a bias in drama. This was seen one person who came from Moscow, which then organized a theater studio with us. Once at the performance in Moscow, someone approached and told me that it was necessary to enter the theater Institute. I realized that I had to, and did infinitely.
- What year did and what did this time do?
- I arrived for the fourth year. After the first failure, I went to the printing technique, I liked to drive my group in the movies. We dumped from lessons and watched almost all the moving films in the Prague cinema, our technical school was near. We have learned only three boys on the course, and as a result, one became the producer, quite famous, the second - the operator, the third - singer. They all believe that this I influenced their fate, which is very funny, but nice. In general, I threw the technical school and went to work in the theater. Mosschu is a cleaner. Sergey Yursky, once having seen me, asked: "Do you want to do? Well, read something. " After listening, he said: "It will be difficult for you, but you need to try." I have incomprehensible appearance, or the Jewish, or Armenian, or Italian. He himself passed and understood everything. Indeed, the inconsistency of internal content and appearance pursues me.
- How long have you worked as a cleaner?
- Half a year, because I met my current and many years of girlfriend Elena Vladimirova, she at that moment was the administrator of a small scene. I proven myself as a cleaner (smiles), and she invited me to him. So I became a firefighter small scene and administrator assistant. The small scene of the Mossovet Theater was in those years an incredibly popular place. The best directions were put on the performances: Kama Ginkas, Gari Chernyakhovsky, Alexey Kazantsev ... There was a lot of beds in the factory girl on the stage. And we, working there and entering "in artists", climbed at night to these beds, first read their programs to each other, and then slept. It was a wonderful time. The fact that I stormed the theater-rally institutes for so long remained my complex, until I got acquainted with the performance of the "Audience" at the theater of Nations with Inna Mikhailovna Churikova and did not know that she also entered for the fourth year. And she is a queen scene for me. Inna Mikhailovna is a unique destiny, but she was lucky, because she met Gleb Anatolyevich Panfilov, with whom they are not only spouses, but also comrades. She is absolutely his muse, but it is still unknown who someone gives anyone, I have been enjoyed for them for two years with pleasure, since the start of the performance rehearsals. And I understand, by the way, why I am not married. (Laughs.)
"The fact that my husbands changed, says that this is not the main component of my life. Although, like everyone else, I fell in love and disappointed"
Photo: Natalia Zykov
- And why?!
- No in me, apparently, the female mind, the ability to create an illusion in a man that he is always the main thing, and you are a knowledge.
- But you have been married and many times ...
- Yes, I visited, officially twice, real - four. Is it a lot? I'm just very curious.
- The first husband is your fellow students Konstantin Chepurin?
"Yes, but he was not a fellow students, we starred in our first film at the end of the institute." I saw a suit, learning already in the third year. I watched the show of the Selfiest Master of the Workshop Barberry and Kozak. And he played so that in the break I approached him with compliments. He, as usual, reading a book, said Thank you. Kostya was a very shy, read the boy from Odenty. My early childhood passed there, and later I came to our family house every summer. Our houses stood next door. But we did not know that. And then, already on the set, the novel began. I graduated from the institute, and we came to MCAT with her husband and wife.
- How many years have you been extended?
- Eight. Apparently, this is my digit. We lived together for four years before the appearance of Vanya and as much after.
- Why did you break up?
- As we wrote at the divorce: "The relationship has been exhausted." It's hard when a person does not take responsibility. True, he warned about it, was honest. Just when the child appeared, everything was exposed. It became clear that it is necessary to either pull everything to him, engage in his talent, or by himself. I always believed that Kostya is talenter me. He played, and wrote songs, and painted. But nevertheless, I also wanted much.
- But then you have married more than once ...
- In order to work normally, I need a state of love. And be married more pleasant. (Smiles.) But the fact that my husbands changed, says that this is not the main component of my life. Although, like everyone else, I fell in love and disappointed. Any state of loyalty is good for creativity. Fanny Ardan says that when we are happy or suffering, we live, and the rest of the time our cardiogram is a straight line. But all my life is subordinate not to search for men, but work.
"Any state of loyalty is good for creativity"
Photo: Natalia Zykov
- Have you ever kept me for men?
- Never! Therefore, I am alone. But for me parting is always a problem. I can never believe that everything is over, flowed through your fingers and absorbed into the sand. I try to convince myself that everything can be reanimated, and this is a completely useless thing. We must let go on time, but I do not know how.
- The birth of children, like the love of a man, was also a creative incentive for you or did you concentrate only on them for a while?
- I am actress, always immersed in everything. And to the role of Moms, too - twice a year and a half. (Smiles.) Every time I tried to be perfect, especially with Mashka, which was born in forty-three years. But in a week he worked, as with Vanya.
- What do Vanya do?
- He is a sound engineer. He graduated from VGIK. This largely was our decision with the bones. We did not want him to become an actor, although in some period such thoughts were visited. The sound engineer is still a male profession. Over time, he got carried away, now engaged in the installation of dubbing.
- I know Masha is studying in a French school. Why? Do you like the language, do you know himself?
- I really wanted for the daughter of European education. French turned out to be more accessible: And at the price, and for further levels of learning. Higher education in France is free. I do not know the language. I started learning from Masha, but she overtook me quickly, and I also abandoned.
- You are almost always, except for the past few years, was married. And now you have a period of long romantic relationships. Do you like so much?
- Yes, now I have the first freedom. Apparently, the status of the bride has already exhausted itself at my age. (Laughs.) I am not interested in stability, I am important to love the state of love.
- You look much younger than your years. What are your relationship with age today, do not make the numbers think or get upset?
- Make not numbers, but people. I always looked younger and felt the same way. When I turned fifty, I became very many calling with the words: "Oh, you do not be afraid, it's not a terrible figure!" And I did not understand what they were about. I was then wonderful then, and then sad events in his personal life coincided with the events in the profession. Last year I broke my leg. At the beginning of the play "Drums in the night" in our theater I fell. In the intermission stirred up, thought that if B was a fracture, I would feel the strongest pain, and continued. In general, three and a half hours jumped on it. We were taught: if not died, I should play. It always seemed to me that my position in the theater was unshakably, but I had to make sure that there were no indispensable. I then even tried to finish with the profession. I just thought I could without her, but it turned out that there is no, and I do not want.
- Did the second formulations introduced you?
- ten minutes. It was impossible to differently. After all, the theater is production. But the revaluation has come. So wanted to believe in my own exclusivity ... now professionalism is not considered advantage. And we still caught giants. Fortunately, someone else remained. I was lucky to meet with Inna Mikhailovna Churikova. For her, the profession is a ministry, chosenness. Such as she still believe in those gods, and I, too. But all this is almost gone, also has become not fashionable, not prestigious. The problem of Chekhov three sisters: "We know a lot of superfluous." It is not necessary for anyone now, and it is better to forget what I knew, then it will be easier - play worse. But I can not afford it, I was so taught.
"I did not become a star in the full sense of the word, because I was not ambitious and not vain. And, probably, more than need, decent"
Photo: Natalia Zykov
- You play a lot not only in our theater. Pushkin, but also successfully on the side. What is one Margaret Thatcher worth in "Audience"!
- Yes, I try not to sit still. That was just introduced into the play "Utopia" in the theater of nations. And Thatcher is my love. I read about her all that could be found, and completely it fascinated. She is an absolute woman who subjugated the whole world. I slept four and a half hours a day, it always looked luxuriously. She loved her very much and supported every way, she was obsessed with his country, ministry. Thatcher could say: "Gentlemen, I studied at school for girls, so now go out and apologize." But she could both fight with a bag and drink. When the premiere came out, they began to say: "What kind of Tatcher is so unfastened?!" - But the translator of the play Yuri Goligorsky made several interviews from the Iron Lady and told that she could have really could easily overturn a glass of whiskey and at the same time not to drunk.
- You have excellent work in the best paintings of directors with a capital letter - in "Rai" from Andrei Konchalovsky, in "Lover" Valery Todorovsky. You could be our Fanny Ardan. Although everything is possible ...
- I did not become a star in the full sense of the word, because I was not ambitious and not vain. And, probably, more than need, decent, to use the moves that life offers you. I could not.
"You have always said that the main thing is to remain a woman and do not get caught." In your understanding, what does it mean to get out?
- This is when not vertical problems prevail, and the horizontal, when it starts to worry, what did you hurt, bought, put on what you have in the house. It is possible to catch up - it means to start paying attention to the entourage, external success. Yes, I'm looking for a sea, sun, museums, excursions. But I am not looking for shops and for food I will not go to Italy.
- But you live in a beautiful and rather big apartment. And, as I see, you are not all the same, in which hotels to stop on vacation ...
- For the apartment thanks to the car Pope (Sergey Petreikov - director and producer "Quartet and". - Approx. Auth.). And the hotel on vacation for me is still taking care of the soul. If I live in a bad place, I will worry, but if I offer me a choice - a fur coat or play a performance, I will choose a performance. Each of my performance "Page number 50" in the center of Vysotsky from the bones goes to me in minus seventy-four thousand, because I play it at my own expense, but I will continue. Good holiday I allow myself twice a year, it gives strength to work. But I go skiing not to Kurszavel, but in Val Torens - there are better slopes, although there is no such pathos, and I get pleasure from it. Any prosperous life is a Ponte for me. I am not that all such an ephemeral (laughs), but the choice is always doing in favor of the pleasure of the soul.