On the kinoneblon, a new star, Polina Maksimova. The comedy series "Deffchonki" became for a young actress by a breakthrough. Her heroine, "Professional Blonde" Lelia, conquered a spectator audience. And other works revealed talent from a completely different side. Polina herself dreams of becoming a "vigor of his generation," says that he will never forgive betrayal and is thinking about to escape a week somewhere in Taiga. Read more - in an interview with the magazine "Atmosphere".
- Polina, in my opinion, wonderful we got a photo session. And what is your style of clothing in life?
- Casual. Scandinavian style I like. Minimalism and restraint. I love knitwear, everything is soft. I played "blondes" so long, so if you can not wear heels, I do not do it. And if you still have a heel, then not a hairpin. I love massive decorations. In general, I dress in mood: I can combine classic suit with sneakers. Or choose a dress of an unusual cut. I like the classics with a fraction of hooliganism.
- You yourself choose since childhood, what to wear, or will your mother poured?
"It seems to me that Mom still takes me." (Laughs.) Most often buys things she. First, we have one size, and mom Merit is all on yourself, and secondly, I trust her choice. The taste of her rans. In short, we have a very convenient wardrobe in our family. We dress in the same points.
- If you judge photos, you and your mom look like that can be confused.
- Yes. And if you see dad, say that I look like dad.
- So your parents are similar to type?
- No, generally different.
I was twelve when my parents divorced. They have excellent relationships, but at a distance. Protect personal space.
Photo: Alina Pigeon
- How do they get along with each other?
- Great! I had twelve years when they divorced. They have excellent relationships, but only at a distance, because everyone protects its personal space.
- But you are so warm about the dad speak. No offense at him?
- No. When the dad atlantic ocean moved four years ago, my mother and I flew to Barbados to meet him.
- He's like Fedor Konyukhov?
- Not. (Laughs.) He is like Vladimir Maximov. Dad is the second person in Russia, which has passed the Atlantic Ocean on oars alone. By education, he is an actor, but in the nineties from the profession was departed. Film studios are all closed, in the theaters of destruction, I am small, and dad earned everywhere where it was possible for a family. And my mother grows me. Then returned to the theater. She is always there. We have such a connection that I am without Mom anywhere. I can not, for example, with anyone to rest, besides her.
- I read that you live separately?
- Yes, it is so, but I really need my mother. I feel good with her! We are best friends. We can go together together, dinner in the restaurant.
- Parents were very young when restructuring began, and their acting career broke. Do they really discouraged you from acting?
- discouraged. They warned that this is a lottery ticket and you either stretch it or not. But I could not see myself in any other. For me, this is a clear environment. I understand what artists say what they live. And in our family it is not customary to send somewhere, so when I decided, they did not have a choice. I had to support. Mom always believed in me! "You are my most beautiful daughter and the most talented." The full name in the family is my grandmother, and my mother and dad give me any nobility. Now Mom calls me a beetle, and before I was a bone. My dad I have Zaiitz! And if parents turn to me by name, and even a calm voice: "Polina!" - This is all: it means you can start reading ours "Father."
"And why the grandfather, who, by the way, also an actor, told you once:" Never betray a profession, she will not forgive you. " Have you had any oscillations, throwing?
- It was told by the grandfather in a certain context of the conversation. He meant that the acting profession is like a cardiogram. Then you are at the peak, then on a pause. And it is important at the time of the crisis not to despair and do not go to make money in other ways. Here we need the power of will and courage. Sometimes you need to wait, sit down, accumulate emotions in yourself, to then issue the viewer. It's complicated. But there is a way in it. And to yourself. And acting. Now I read "BU SI TO" - this is the Code of honor of the Samurai. And I believe that everyone in his profession should be in a sense of samurai. Because in this rank there are a lot of honor and dignity. And it is necessary to become warrior of art. As it were, it should be done in a sense a struggle for creativity. I confess, I had moments when I wanted to go another expensive. At the Institute, for example. Humiliated frequently. I was always called the Cloanese of the Theater of the Durov, I had conflicts with a teacher in speech, and what the teachers were told on acting skills, I'm even pronounced. Bloody battles were conducted on the vocal. I wanted to fulfill jazz, and I was forced to sing about pasta (Italian song of three notes "Macaroni"). There is a strange concept: first you need to erase into the dust of the child, and then something to give birth to something. I think it is wrong.
When you part with a person who feel feelings, inside something dies. I had a love story with betrayal.
Photo: Alina Pigeon
- Do you want to do it in Shchepkinskoye?
- I just knew where the school is located. As if a family alma mater. Parents, grandfather. I went there. This is the center of Moscow, next to the Small Theater. In high schools with girlfriends, we walked there. The oldest theatrical university. I really liked the courtyard there ... I immediately took me. To the Studio School of MHT, "Pike", Gitis and Vgik did not even show. In fact, I even regret that I did not try to go somewhere else. I have a boring biography in this sense. I did not spend the night at the station, did not starve in the hostel, did not work as a waitress. I am a Muscovite.
- And to read the "boo to" the parents advised you?
- No one gives me advice on books. I find them myself. Or they find me. I have such a hobby - read. It is probably a tradition, grafting relatives, because childhood was poor. In a forty-meter apartment, we lived in a feather - Grandma, Grandfather, Dad, Mom and me. We had nothing, except for a wardrobe, a Soviet side with a crystal, which for some reason everyone had, this stupid crystal, which was delivered only for the new year, heavy glasses ... and books. Nothing more. We, in my family spent money on them. If now the two-volume Pushkin can buy each, going to the bookstore, then they stood in the queues, at night, and if you leave this queue, you will not fall back. My grandmothers and grandparents stood in these queues, in search of these books. And I can't already be different.
- Your first role was "Take me with me"?
- Yes, Natasha Kvitko is a student.
- What is remembered about this job?
- humiliation! Constant humiliation on the set. Disbelief.
- From the director?
- Yes. It was disgusting. I do not even remember him called. This is the first course, I generally understood little in the profession. And especially in the movie. The operator screamed that I did not get on the point, I do not feel light. And the make-upers, and costumes, and the requisites are all so, through the lip, they spoke. What is extremely incomprehensible to me and still. When young actors come to the platform now, students, I take the patronage over them, because I remember how I turned with me. I cover them with your location, and periodically make comments to those who are talking to the lip. I do not like such people. Because the work of each member of the shooting platform is important and need to be respectful to him. Only in mutual respect, love and professionalism, something present can be born. I think so.
Dad is the second person in Russia, which crossed the Atlantic Ocean on oars alone, on education he is actor, but he moved away from the profession.
Photo: Alina Pigeon
- What is recorded today in your Rider? Without which it is impossible to work?
- Two bottles of water, apples ...
- Nothing exotic?
- Really nothing. I do not even know what to call. Just to be clean, and I was met, not late.
- Now you have come to popularity. You and Cyril Plentnev made one by one two projects: "Without me" and "Seven dinners". He in an interview calls you with his actress. How did he find you?
"We were not familiar with Cyril, he saw me in the TV series" Deffchonki. " I called and invited to watch the movie "Luggage". I looked, we talked, shook our hands and diverged. Then there was a month two, and Kirill asked the address of my email, sent the script of Darya Gutsevich, called "nonideal." And immediately asked: "Who are you? Who do you feel? Are you Kira or Ksyusha? Naturally, I chose Kiru, because it is consonant to me, it is in my psychophysics. It is understandable to me, to some depth cells. After reading the script, I realized that Kira could not be with long hair. And Kirill said if I was approved, I will cut. Of course, he was very surprised: 'Maksimova, are you serious, are you ready to cut such hair? " - "Yes!". We decided that my character should have protruding bones, sticking out the spine. She is all broken so. Nervous. She is a woman on the grain of a nervous breakdown.
- How comfortable was to act with love Aksenova, with Rinal Muhametov? Have any differences arise?
- No disagreements, conflict situations. So comfortable, professional partners, artists who are born creativity. Madly nice to them in one energy field. Initially, in a sense, I even wished to anyone that the Moscow block and my arrival in the apartment competently play. Because when you get closer with a person, this is a slightly different energy story. I kept anyone at a distance and quite a little connected with her. But when an expedition happened to Anapa, we got together, lived in one acting car. And in the morning, who will first get up, walked behind orange freasses or coffee. Lyuba is a vegetarian, and she is also rawped. And I cut her avocado. And when I was sick, Lyuba brought some incredible teas to me. We are no longer just colleagues, but almost as relatives.
I have a pretty boring biography: I did not spend the night at the station, did not starve in the hostel, did not work as a waitress. I am a Muscovite.
Photo: Alina Pigeon
- In this role, did you manage to say something personally? Does your female experience come in handy?
- Sure. This is a very personal story. I naturally did not have such that someone would die, but when you part with a person who experience feelings ... I don't want to express stamps, but, as they say, parting is a little death. And there is. Inside you something dies. I had a love story with betrayal. Any pain treats only time. Hearts remain borrowed. It does not hurt, but there is a shrama.
- Could you come back to this person if he wanted?
- No, I never come back. I die simply when I find out about betrayal, and this is not only personal concerns, but also friends too. I'm terribly worried. But I like Phoenix Bird! I burn, and then reborn from the ash!
- Do you have fans, make you suggestions?
- Of course have. There are those who cares, and many people who have been congratulate on March 8. My life is boiling! At the moment I am happy.
"When" seven dinners "happened to the same director, you probably did not think for a long time? Take an offer or not.
- Why? Spooled. I saw a bare scene in the script. I never undress just like this, this should be sense, it should be due to scenario and drama. I am such a very unpleasant person in terms of parsing the script, because all the time I have to justify everything, explain why this is necessary exactly what it gives for a character for the film. But still for me to undress on the set every time stress. Director, designer artists, make-up artists, costumes, details, illuminators, operators - everything is mostly men. You feel extremely awkwardness, you begin to joke like something in stupid, giggle ... Cyril also thoughtfully. Because we diverged after "without me" on the mental breakdown simply. Both. Cyril then told me: everyone, see you at the premiere.
- Why on the mental breakdown?
- Yes, we have had such a state in our entire collection. This is generally the first project in my life when after the team "Stop! Shot! " The group was just quietly separated. How water through the sieve. There was no holiday. There was such a heavy setting. And such a exhaust. But when the time passes, you know what the way you passed together and you can evaluate it correctly. We have already attached to each other psychologically, therefore, apparently, and approached the second joint picture.
- Are there directions with whom uncomfortable you?
- I do not work with such. But I came across such. When I come to the sample, I ask questions regarding a specific scene. What is she: about betrayal? treason? Roughly speaking, I play? What do I want from a partner? And he tells me: "You sniff a flower!" - "So! And on drama? " "I said, you sniff a flower." Well ... I immediately understand everything.
- And you just refuse?
- Yes. I am thinking about three times why I can't. What I have employment, I have projects, even if I sit and eat a month and eat buckwheat. I am better and then I will sit and dry crackers on the battery than to be filmed from such directors ... I do not want to step on my throat, overcome myself and pretend that I am awesomely like what I do not like. As McConaja said, "no need to say goodbye to his truth and with its own character."
- Your popularity is growing, and probably there is now enough proposals in the cinema and TV shows?
- Enough. For example, now I have a large project "257 reasons to live".
- I was surprised that you took up. Cancer theme. There is a risk of misfortune.
- God with you! This is a story about the victory of a person and how the eyes open on others. How to start life again! For the role, I master the riding ride, I study shoot, play on a musical instrument, swimming. When we were in Omsk at the festival, I did not know that the pilot version of the series is presented there. Showed "257 reasons to live", and the picture "without me", and strange: more reviews were "257 reasons to live." Because there is hope, and people need it.
- What is your main goal in the profession? What do you want to achieve?
- I want to stay next, so that my films later revise. My favorite movie is "the fate of a person." I will never get bored for me. And I will never stop admiring Sergey Bondarchuk. This scene: "Folder, relatively, I knew you would find me!" Or as Tatyana Samoilova: He starred in the "craving" - and everything remained in history. I want to be in such a movie. I want to be a face of generation, vigoring his time.
I want to be a face of my generation, vigoring his time. To stay the trace and movies with me later revised.
Photo: Alina Pigeon
- What do you see your generation? What are these people?
- Lost, it seems to me, and lonely. Career generation. The first generation that was familiar with the Internet, with gadgets. We are a generation of extremes. It became fashionable to lead a healthy lifestyle, and all in the gym. Who is a vegetarian, who is rawped, in other a gluten-free diet. We are some abnormal. More there is nothing more to do, or except to calculate the number of calories and study the composition of the food? Unceous, unfinished. Few reading. System of values shot down. Sometimes I meet with someone, who did not see for a long time, and then regret it. Some emptiness. What met - that they did not meet. Two Saturdays in a row went to concerts of modern rap. This is hell. Maybe I am older? (Laughs.)
- Many now do not like to read the classics, because it is hard. Large texts.
- We must overcome yourself. I, on the contrary, I love when you need to think and make your neural connections somehow move. I noticed that, of course, I also have a global deal. So I do not really lag from others. (Laughs.) When I look at my school works, I come to the horror of what I was smart, as folded the words, formulated the thoughts, as paradoxically thought, and I rush to read, watch movies, I go to the exhibition, because with this Internet, social networks, with the information environment in which we live, we are devastated and from this are extremely unhappy. Would you like to escape from ourselves, to cleanse from this whole stupidity, to fill yourself with something significant or somewhere to go to live or in the taiga, or in the village, or in the monastery.
- Third, in my opinion, the most intelligent, and then in the taiga you can fall completely.
- I have such a steep dad, he will tell how not to disappear. (Laughs.)
- What would you yourself wish from what you do not have today?
- I want to wish my new roles in which I will be interested in implementing. And I would like to have people with you, with whom I would grow like-minded people with burning eyes. I would like to have samurai next to me. This also applies to my environment, and men. Pupil, smart people want. Personality!