She was talking about it loud after Svetlana Allyluve in the Svetlana project, and quite recently she struck the most complex dramatic role of Milady's grocery in the series "Katran". Victoria Romanenko believes that luck smiles bold. The bold, purposeful, self-confident in the good sense of the word, life she lives with Azart and dustiness - whether it concerns work or love relationships. Details - in an interview with the magazine "Atmosphere".
- Vika, I know that in the "contemporary" you fell with the easy filing of Anton Khabarova ...
- Yes Yes. Somehow, in the fourth year, Anton, who also studied Viktor Ivanovich Korshunov, but for four years earlier, came to us on "skill." He talked about the life of the "contemporary" and that Galina Borisovna Volchek makes the new edition of the "three sisters", where he rehearses Andrei Zzorov. There is no candidacy for the role of Irina, although the wolf watched half of Moscow. About a month later, Anton appeared from us again and said: "And I didn't find Irina" - and I suggested that "Maybe you help?" (Laughs.) He smiled and wrote me the telephone head of the troupe. I replied that, probably, I would not decide to call, but I took a piece of paper. I kept this note for a long time, I wore with me, and she put it on me so much (laughs) that in the end I still scored this number. The head of the troupe stated: "Galina Borisovna Aby who does not look, only on recommendations." I somehow hurt me, and I said: "And I'm not ababa who, I'm from the Korshunsky course, finishing this year." She replied: "I don't know, the girl probably will not come out, but I will ask." And, apparently, I turned on sports excitement, I called her every day and found out, she asked or not. And once again heard at that end of the wire, the voice of Galina Borisovna and shouted straight into the phone: "But she is next to you! What should you ask? " And she told her: "The girl calls that the day, maybe look at the next Irina?" At the meeting, Galina Borisovna asked how old I am, I replied: "nineteen". - "So what did you come? You still learn and learn. " And I said that this year I finish. I read the monologue of Irina from the third act ... Then she said to me: "I looked at you and thought: such a plump girl, such a Russian appearance, such a perky, only ... not Irina she. But she is mine. " And took me to myself. It is to yourself, and not on the role of Irina. I somehow coincided with her in one second. But I do not tear the then courage, my life would have formed anyway.
- How did the creative process go? Everything was smooth or? ..
- Galina Borisovna immediately forced me to lose weight. (Smiles.) And at the rehearsals she tried to achieve that everyone quickly did what she wanted. And if it did not immediately succeed, it was nervous, angry, react violently. And she could bring his growing demand to white crown when you just don't think anything. The wolf wanted to in the fourth act I pronounced a monologue, swinging in a rocking chair. And what I did, did not coincide with how she imagined it. As a result, I took this chair, dragged on the fifth floor and sat there three hours, swing, cried, fought in hysterics, trying to understand that she wanted me. But in general, the period of my connection with the theater "Contemporary" is a happiest time.
- And when did your relations with Galina Borisovna be taken shape?
- during rehearsals began the most valuable - rapprochement and cognition of each other. Galina Borisovna somehow realized that I was her man, and as if I could put me on my knees, I just believes in me. These are stunning twelve years of my life with her. She was me and as a mother, because she was not indifferent to what was happening to me. When I gave birth to Petya, she loved him as his grandson. I asked to send his photos. Only the son of the sick, she from somewhere about it immediately recognized: "What about Petya?" This is such a rarity, few people are important. And I know that she behaved so much with many of our team, thanks to her big soul in the theater "Contemporary" there was never a single passing person.
"Galina Borisovna somehow realized that I was her man, and as if I could put me on my knees, I just believes in me. She was and like a mother too"
Photo: Nadezhda Aleksandrov
- How do you feel now without her?
- Probably you can guess. It can be compared with those sensations when a person is deprived of his parents, it instantly becomes an adult, because before you were behind my mother's shoulder, I knew that it was still under protection, you would always be loved. December 26 will be an anniversary ... We celebrated her birthday a week before. It was a wonderful and touching day. She came to the theater. And during our congratulations, even stood up with a stroller. She stood and talked as if it was a message to us, young, as if she knew. I look at the photos now, and there everyone laughs, smile, and I have eyes on a wet place. Although everything was wonderful, I entered the whole evening. Probably it was a premonition. The first feeling from losing - shock, as if you pour it boiling water or hit the current. And almost immediately I realized that a completely different life began. This is not just a change of artistic director, because it is not an ordinary artistic director, not an ordinary person, not just a director, not just an actress. I am still talking about her with a lump in my throat, I have a dual feeling: and joyful, because it was an endless love and it's hard for me to remember, I don't even want it, because my bright, bright childhood, and it never will come back. As in the "three sisters" ... a year has passed since Irina's death, and she says: "Why remember this?" I want to go further, and if you turn around, lingering tears. Forty days later I went into her office and sat silently alone. Since then, there did not look there. And recently, I called on the conversation on this office, our Khrukov Viktor Anatolyevich Ryzhakov. It was very hard - to be there again. In general, probably, the biggest professional event of my life is a meeting with a wolf. And, of course, she gave me a completely special education, a painful feeling of truth, a certain degree and the most powerful energy charge, laid a decency code. Try now with all this luggage dear in the present time! Young man now needs to be simpler and tough. Time requires some other qualities. So sometimes you just look crazy with your perception of the world.
- But you have no thoughts from the theater?
- Food you really love one man, how can you look in the other side? This is the only theater with whom I am heard. This is my native home, and he will remain forever.
- In the theatrical you did easily, but then after all, as you say, you hit you, "broke" ...
- I recently thought that when he did, he had a healthy share of cynicism. I was fifteen-sixteen years old, and this is a mysterious age - a person has a special logic. And I remember how I went on theatrical institutions not just with a feeling: "Take me, I came to you," and with full confidence: "You do not understand, the Russian theater will disappear without me!" And they told me: "Yes, yes," asked: "How old are you?" - I presented: "Romanenko Victoria, fifteen years old, city of Moscow", for which I heard: "bring documents." They seemed to be under the hypnosis. And then I liked everything: stand on stage, dance, overcome myself, even what they scold me and do not accept.
- More importantly, work or talent?
- Recently, Victor Anatolyevich Ryzhakov at the meeting quoted the words of Stanislavsky "Talent is a desire and work." But what about the gift of God? If the mess will work, sweat and very want, it will not be a talented talented. (Smiles.) I think: "Maybe Stanislavsky just comforted someone in this phrase?" But it seems to me that talent is a gift of fate with which you either cope, or not. Everyone should do his own business, and in the depths of the soul you always feel yours or not.
- When you engaged in figure skating and you had heavy workouts, you also felt that it was in a buzz? Have you ever wanted to throw sports?
- No, I once decided that I would come and did. I had a strong injury, breaking the bundle, but it could be overcome. I just understood exactly at that moment that I do not want to be a coach. At that time, I had the first theater shock - the play "Juno" and "Avos" in Lenkom. I then looked it more than thirty times. In the first, I remember exactly how it all started and sounded the song: "There is an apostolic number, for Russia it is twelve ..." - all my body responded, I cried and drove the whole performance. I came home, my temperature rose. I was twelve years old. I fell in love with this theater, went and watched all the performances, and then I had a big and loyal friend of Margarita Ivanovna Strogov. She is no longer alive now. This is my first guide star, I have a feeling that she gave me her energy. But she said: "I won't help you pass. If you are destined to be in this profession, you will do everything yourself. " She prepared one program on arrival, and I secretly decided that I want to read the monologue of Sasha from Ivanov Chekhov. But she was not angry: "You yourself decided. I respect you for it. "
"It's hard to get along with me that in one team, but also one territory. For this, I need to love very much."
Photo: Nadezhda Aleksandrov
- You are desperate, stubborn, self-confident in good sense. So on the set "Svetlana" argued with the director, defended their opinion ...
- It's hard to get along with me that in one team, but on one territory. (Laughs.) To do this, I need to love much. I know that at first glance I can seem very sharp, shaking, argue, scream. But if not offended and not to pay special attention to it, then we go further, and we are waiting for crazy love and endless happiness. Of course, on Svetlana, we were constantly arguing with Zhenya (directed by Evgeny Zvezakov. - Approx. Aut.), He said: "Vika, leaving, there is a script, we will not change anything." And then called from the assembly and said: "Vikusik, how were you the right that I was tormented by what insisted on my own. Thank you so much".
- In his youth, you were insanely passionate about theater, the desire to become an actress. And on love you have enough?
- In me, so much energy, I miss me. (Smiles.)
- Your first husband, Cellist, Father Peter, is this your first serious love?
- It was a strong real feeling, I am now Bore madly love as a person. He is an immensely talented musician and talented in everything. Meeting with him is an incredible gift of life, we have a wonderful son.
"But something after all makes people part?"
- Sure. We stopped living together, it happened, but this does not mean that we stopped to go on with each other, communicate with each other. I do not understand the separation schemes when people exclude each other from life. This feeling remains inside a person, it simply changes. We are relatives forever, and at any time he will help me, and I am.
- Leaving the first time married, did you think it's forever?
- I do everything with one hundred percent impact. (Laughs.)
- After parting with Boris, you had a period when you understood yourself and were not open with a new feeling?
- Yes, a certain period I lived quite hard.
- Many of your iconic meetings happened by chance, including in the "Contemporary" theater with a Vache Arter ...
"It seems to me that the first reading of a person, as well as situations, is the most faithful, most honest. Then you start to disassemble, dig: "Or maybe, what if? And if you look from this angle? " - But still come back to the first impression. When I saw Arthur, rightly felt his warmth. But after the first meeting, we have not seen for a long time, did not exchange phones. We have no place to cross, I live in Moscow, he is in St. Petersburg. And somehow in Svetlana between the scenes we sat in a trailer with Elizabeth Alexandrova, talked, and I mentioned Wahu. And she suddenly exclaimed: "Waha! This is my friend. " And so buried, straightly shone. I told her that I saw him, and she suggested: "So we will call him now." He said: "We are now at home with friends-musicians on the big screen We look at the Reheathipment of the Orchestra Fellini. Come. " Then he asked where we would shoot, got on your motorcycle and arrived myself.
- Arthur told what the impression did you make it in the first meeting?
- He told me that after he saw that I got in the play "Amsterdam", and we played Alexandrinka, and he sat in a royal bed, could no longer look at me differently: "In front of the eyes there were these hellish dancing . I have a small one, but a memorable role, and with Darya Belousova, we perform something similar to the striptease under the song "Dawn will not come for me" in the costumes of transgender and bright grima.
- Almost all your heroines in movies with character. Do you think it is an accident?
"Sometimes in the evening I close my eyes and think:" What am I gentle and soft, why am I never behaving accordingly? " Of course, I want to play such roles, and maybe once I will come to them. I do not know what you need to do it, maybe give birth to daughter. Naturally, I am with humor and self-ironya treat myself, I understand that sometimes even beating a stick to such an extent that it is rather a cartoon on Vika Romanenko. But, it seems to me if you realize this and you can laugh at yourself, already wonderful. Humor is not only male quality.
"This feeling remains inside a person, simply changes. We are from Borea relatives forever. At any time he will help me, I am to him"
Photo: Nadezhda Aleksandrov
- In this, it seems to me that you coincide with Artur ...
- Yes. In fact, we are in many ways similar. But as similar, it is not. I am a woman, and he is a man, he from Peter, and I am from Moscow. Arthur is an insanely bright, incredible freedom of a person, completely unpredictable. Sometimes it can hurt, it is impossible to get used to this, but ...
- But you do not strive to redo it for yourself?
"So I just love him and that's it." Why do I need to redo it? And then it is impossible, as practice shows. (Laughs.)
- Do you live in Moscow now?
"I live in Moscow, but since the whole pregnancy and I traveled the tail with the arterur, at the later date I found myself in St. Petersburg. Apparently, Ivan Arturovich Waha wanted to be born exactly there, and decided to achieve any way. He came up to himself an adventure, just to get a medal born in St. Petersburg. (Laughs.)
- You say Petersburg to you even in nature ...
- Yes, he is close in everything, I love this city insanely. It is good and in the rain, and in the snow, and in the scorching sun, it is incredibly beautiful. There air is charged differently, other people with another energy. I have not been in St. Petersburg for a long time, from August. As soon as possible, I will definitely go there.
- Do you live in two cities with arter?
"Two cities, of course, because I have a theater here, and for Arthur Petersburg - a hometown, his heart is tied to him, and the circumstances associate with him. His mother lives there, the will of Vasilyevna Waha (her name speaks for himself), a great woman, a wonderful director, teacher, professor. Give her health to her, she is an incredible person.
- Arthur what dad?
- Great. Wan two years old, it seems to me that they are two steam boots. Arthur loves to spend time with his son, and he always waits, loves him.
- And how does Peter communicate with Vanya?
- Perfectly! How can an older brother communicate with the younger? He buys him, jealous, trying to make some kind of sludge when no one sees, and then bouncing. And there are moments when he sits down next to, strokes him, hugs, puts his head on his shoulder. They are brothers. It seems to me that in general everything in children depends on the environment. If they see around themselves people who even swear, but in love, this is differently developing.
- Even conflicts you explain love. You are generally talking about love all the time as the main thing ...
- Yes, of course, the most important thing in life is love. If you have excitement to life, you can't not be able to love, and there can be no man who you do not love.