- PINina, da farko kuka fara shiga cikin filin kwallon raga. Menene rawar da kuke a cikin samarwa?
- Na tauraro a cikin bidiyon, wanda zai zama nau'in trailer zuwa ballet "Babban Gatsby". A lokaci guda, muna da aiki mai 'yanci tare da tsarin ji da rashin mutuwa, wanda Konstantin Melaadze ya rubuta wa gidan ballet. Ina da wani sabon aiki da ban sha'awa. Ba na wasa da wani hali na musamman, amma nuna rai na Dais, da ƙaunataccen Gatsby. Godiya ga Daraktan Alan Badov, na ji kyakkyawan tsuntsu a cikin keji, wanda yake neman jituwa, yana shan wahala, sakamakon haka, ya mutu.
- Sun ce kun yi aiki tare da kwararrun ƙasashen waje ...
- A cikin bidiyon, ingantaccen samarwa na choreographic daga Rake mai dacewa na Amurka. Shine darektan a cikin ballet. Mai launi mai ban sha'awa da mai ban sha'awa. Yana da rubutun hannu kansa. An san wasan kwaikwayonsa a duk duniya. Hukumar da ke da irin wannan taurari kamar yarima, U2 da Lenny Kravitz. Hakanan yana aiki tare da circus du sonilus du sonilus, hadaddun Troupe sananne ne sananne a duk duniya. Na yi matukar kyau in hadu da Dwight. Yana da kyau cewa ya nuna godiya da aikina. Don dwight, amma ga Ba'amurke, aikin "babban gictby" kamar Rabon tsarkakewa ne, kuma yana da kyau sosai ga wannan aikin. Sabili da haka, babban abin da ya yi musamman jirgin ne musamman. Af, Dwight Sevbed tare da aikin Denis M Matvienko, wanda ma zai yi rawar da Jay Gatsby a cikin ballet, wanda ma ya fashe a lokacin yin fim din karshe.
- Me kuke tunawa game da harbi?
- Tabbas, wannan na musamman ne, mai daidai mai ban sha'awa yanayi na 30s. Kasancewa a cikin wannan shirin a gare ni wani nau'in gwaji ne na kirkira. Bayan haka, kafin hakan, babu wanda ya halicci wani abu kamar haka!
Harbi harbi a cikin birane uku: Kiev, St Petersburg da New York. .
- Shin kun taɓa samun ƙarin yanayi a cikin saiti?
- Na yi mamakin lokacin da na koya cewa bisa ga umarnin Directoran dare dole ne ya juya a cikin hoop. Lokacin da kuka buƙaci juyawa a kansa a cikin tsoratar ba tare da wani inshora ba. Haka kuma, a cikin takaice suttura, manyan sheqa da tare da manyan ƙusoshin. Abin farin, farashinsa ba shi da faduwa. Amma dole ne in saka idanu na daɗaɗɗa don kada ku tafi lokacin letrrobatic ent (dariya). Hadarin wannan rawar shi ne cewa bai zama dole ba kawai don raira waƙa, har ma don bugawa, shiga cikin hoto, jin da ƙwarewar babban halin. Wannan abu ne mai ban sha'awa, kodayake ba wani abu mai sauƙi ba. A hankali ne, a hankali, na sake sake ambato kafin harbi.
- Wanene kuka bar ɗanka, kun kasance a shafin?
- Andrysusha, kamar yadda koyaushe, ya kasance tare da mahaifiyata. Tabbas, mun kira. Na kira gida sau da yawa a rana - wannan doka ce. A koyaushe ina rasa ɗana. Amma wannan rabuwa ba dogon lokaci bane, na bar harbi kawai na rana. Sannan nan da nan ya dawo gida.
- A ina kuka sami kayayyaki don yin fim?
- Gaskiya ne, na ga riguna riga a wurin. Mai zane a cikin kayan kwalliya a baya ya ruwaito masu girma na, kuma ya yi duk abin da kuke buƙata. Duk abin da yake shine zanen darektan.
- Yaya kake jin kanka game da ballet?
- Ina son ballet sosai kuma a cikin zane-zane na gaba ɗaya. Na girma a bayan al'amuran - Mahaifiyata dan kwararru ne, ya yi aiki shekaru da yawa a cikin 'Birch "na zamani, sannan a karkashin kwangilar a Girka, inda muke zaune. Rawa babban bangare ne na rayuwata. Ni kaina na kasance da kwarewa da rawa. Ballet koyaushe yana sha'awar ni. Na fahimci yadda aiki da ƙarfi ke bayan kowane samarwa. Na kalli yadda na yi aiki a shafin Denis M Matvienko, wannan shine matukin jirgi, sadaukarwa zuwa digo na ƙarshe.